San Francisco Center for the Book

In the world of paper marbling, metallics are rare due to the heavier weight of these types of pigments. Since marbling pigments must float perfectly on the surface of the water bath, metallics prove challenging; but when handled correctly, the shining hues of copper, silver, bronze, gold and pearl will transform a sheet of paper into an iridescent wonder.

The use of rakes and combs is also tricky, requiring carefully manipulated movements of these heavy paints in order to achieve the desired effects without sinking or breakage.

In this workshop, students will learn to handle metallic paints and be introduced to new and more intricate patterns. They will also explore the exciting territory of “Over-marbling”, where one pattern is superimposed upon another to create a magnificent and complex play of pattern. Students will receive instruction during the morning half of class, then spend the afternoon dedicated to personal practice with hands-on guidance from the instructor.

*Please note that paper marbling is a wet process and papers made in the workshop may not be dry at the end of class. Students may return to SFCB after the workshop to retrieve any papers left to dry at the of the day.  

Prequisite:
Introduction to Western Paper Marbling, Pietro's Paper Marbling online workshop, Introduction to Fabric Marbling, or other marbling experience.

Materials to bring:
All tools and materials will be provided. Please wear comfortable shoes for standing that you don't mind getting wet.

About the Instructor:
Pietro Accardi (he/him) owned a Bookbindery in Turin (Italy) for 12 years. He worked for Turin’s main Library, Municipal Archives, and University Libraries restoring and binding documents and books. He also runs his own paper marbling and decorative box making business. Now he lives near Lake Tahoe with wife, cats and a studio. He is currently working for the library of special collections of University of Reno doing restoration work and teaches workshops.