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Core Workshops
Secondary Core: Jobbing Platen Certification
with Alan Hillesheim

Now that you've completed the Cylinder Core series, you can become certified on the jobbing platen, which was developed to meet the demand for greater volumes of printing with shorter production times.
Day 1 :: Postcard Express
Design, set up and run an edition of 50 postcards in this class that introduces the efficient mechanics of a Chandler & Price jobbing platen press.
Day 2 :: Photopolymer on the Platen
The development of photopolymer opened up a new world of possibilities for letterpress. This class teaches you to integrate platen printing with polymer plates, allowing you to print whatever ephemera you can dream up!
SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.
Prerequisite:
Cylinder Core 1-4. Students who register but have not satisfied the prerequisite will be de-enrolled.
Materials to bring:
None. All tools and materials will be provided.
About the Instructor:
Alan Hillesheim (he/him) has been wrenching around printing presses for 35 years. Printing presses need to be moved, oiled, inked, cleaned, and maintained, in short they need attention like a six year old. Maintenance is a dirty business, but a necessary one for beautifully printed anything. Alan has a passion for the mechanics of the print studio and enjoys encouraging others to roll up their sleeves and grab a wrench. His 35 years in the letterpress business and “all-ten-fingers” count speak for themselves. Join him and wear old clothes.
Oh, and once the press is in fine order, Alan has a few secrets to divulge about perfect inking and stellar printing.
Bookbinding Core 1-4: Weeklong Intensive
with Clair Emma Smith

Bookbinding Core Certificate Program
The San Francisco Center for the Book celebrates the craft and art of bookbinding. Our Bookbinding Core Certificate Program introduces students to four different binding models, leading them through the history and evolution of bookmaking. It provides students a comprehensive foundation to delve into the practice of binding and qualifies them to rent studio time in our bindery. Core classes must be taken in order, 1 through 4.
Bookbinding Core 1 :: Coptic Binding
To paraphrase Lewis Carroll, we begin at the beginning. This, the first of our Core Bookbinding series, introduces students to the craft with the Coptic stitch, one of the earliest structures in binding. In addition to coming away with a finished book made by hand, students will also be introduced to the tools and terms of bookbinding. Basic practices and equipment will be discussed as students familiarize themselves with both skills and safety measures needed for working in a bindery.
Bookbinding Core 2 :: Flat-Back Case Binding
In this second Core Bookbinding class, students will create what most of us refer to as a hardbound book. In bookbinding terms, it is known as a case binding; where a sewn textblock is glued into a separate structure known as a case. Students will learn more about the mechanics of books as they build on skills from Core 1 and expand both their vocabulary and capabilities in and around the bindery.
Bookbinding Core 3 :: Limp Paper Binding
In centuries past, books were sometimes sewn onto cords and then laced into soft covers before being bound for a specific collection or library. Often covered with calfskin, these limp vellum bindings became an important structure all their own. In this class students will bind a book using these bindings as a model but employing thick paper as the folded and laced wrapper. Students will learn to use a sewing frame and the skill of sewing headbands.
Bookbinding Core 4 :: Classic Rounded Back Cloth Binding
The final class in our Core Bookbinding series (taught in two sessions) uses skills learned in each previous class to create a beautiful and classic rounded back cloth binding. After sewing, the book will be rounded and backed before the boards are attached and covered. More terms, more tools, more techniques: such are the rewards of the skilled bookbinder!
The Weeklong Intensive rate is discounted $100 off the individual workshop fees.
SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.
Prerequisite(s):
None
Materials to bring:
All tools and materials will be provided. Students are also welcome to bring any of their favorite bookbinding tools.
About the Instructor:
Clair Emma Smith (she/her) is a bookbinder specializing in repair located in Oakland, California. She found her love of bookbinding during an art conservation internship at a historical society in Indiana, and she has been setting up her dream home studio ever since. Clair Emma relocated to the Bay Area after graduating from North Bennet Street School's bookbinding program in 2019 and works in private practice for both herself and other conservators as Bouguereau Bindery.
Bookbinding Core 4: Classic Rounded Back Cloth Binding
with Beth Redmond

Bookbinding Core Certificate Program
The San Francisco Center for the Book celebrates the craft and art of bookbinding. Our Bookbinding Core Certificate Program introduces students to four different binding models, leading them through the history and evolution of bookmaking. It provides students a comprehensive foundation to delve into the practice of binding and qualifies them to rent studio time in our bindery. Core classes must be taken in order, 1 through 4.
Click here to learn more about the Bookbinding Core Certificate Program and how to receive a discount!
Bookbinding Core 4 :: Classic Rounded Back Cloth Binding
The final class in our Core Bookbinding series (taught in two sessions) uses skills learned in each previous class to create a beautiful and classic rounded back cloth binding. After sewing, the book will be rounded and backed before the boards are attached and covered. This binding style points to many historical structures that came before it, making it an ideal structure for anyone interested in learning to bind books with leather, or learning to repair books. More terms, more tools, more techniques: such are the rewards of the skilled bookbinder!
SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.
Prerequisite(s):
Bookbinding Core 1, 2, and 3. Please don’t register for this class if you won’t have completed Core 1, 2, and 3 before this workshop date.
Materials to bring:
All tools and materials will be provided. Students are also welcome to bring any of their favorite bookbinding tools.
About the Instructor:
Beth Redmond (she/her) was first introduced to making books in the photography program at San Jose State. She loves binding books for their perfect marriage of functionality and creativity. After learning the basics of a well-made book at SFCB she went on to study fine binding at the American Academy of Bookbinding in Telluride, CO. She works primarily with leather to create bindings for public and private collections. Her work can be seen at https://bredmond.weebly.com.
Bookbinding Core 1: Coptic Binding
with Madison Halaby Gordon

Bookbinding Core Certificate Program
The San Francisco Center for the Book celebrates the craft and art of bookbinding. Our Bookbinding Core Certificate Program introduces students to four different binding models, leading them through the history and evolution of bookmaking. It provides students a comprehensive foundation to delve into the practice of binding and qualifies them to rent studio time in our bindery. Core classes must be taken in order, 1 through 4.
Click here to learn more about the Bookbinding Core Certificate Program and how to receive a discount!
Bookbinding Core 1 :: Coptic Binding
To paraphrase Lewis Carroll, we begin at the beginning. This, the first of our Core Bookbinding series, introduces students to the craft with the Coptic stitch, one of the earliest structures in binding. Students will spend the morning making their own decorative pastepapers, then use them in the afternoon when binding their book.
In addition to coming away with a finished book made by hand, students will also be introduced to the tools and terms of bookbinding. Basic practices and equipment will be discussed as students familiarize themselves with both skills and safety measures needed for working in a bindery.
SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.
Prerequisite:
None. Beginners are welcome.
Materials to bring:
None. All tools and materials will be provided.
About the Instructor:
Madison Halaby Gordon (she/they) is a bookbinder and conservator-in-training living in Oakland, CA, currently working at Zukor Art Conservation and the Walt Disney Family Museum. She is fascinated by paper, and loves making and repairing practical, fun, accessible, and well-made structures for the use and enjoyment of everyday people. Madison is also trained in letterpress printing and has worked previously with the Key Printing & Binding (Oakland, CA) and Small Editions (Brooklyn, NY).
Bookbinding Core 1: Coptic Binding
with Jane Knoll

Bookbinding Core Certificate Program
The San Francisco Center for the Book celebrates the craft and art of bookbinding. Our Bookbinding Core Certificate Program introduces students to four different binding models, leading them through the history and evolution of bookmaking. It provides students a comprehensive foundation to delve into the practice of binding and qualifies them to rent studio time in our bindery. Core classes must be taken in order, 1 through 4.
Click here to learn more about the Bookbinding Core Certificate Program and how to receive a discount!
Bookbinding Core 1: Coptic Binding
This class introduces students to the craft with the Coptic stitch, one of the earliest structures in binding. Students will spend the morning making their own decorative pastepapers, then use them in the afternoon when binding their book.
In addition to coming away with a finished book made by hand, students will also be introduced to the tools and terms of bookbinding. Basic practices and equipment will be discussed as students familiarize themselves with both skills and safety measures needed for working in a bindery.
SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.
Prerequisite:
None. Beginners are welcome.
Materials to bring:
None. All tools and materials will be provided.
About the Instructor:
Jane Knoll (they/them) was the San Francisco Center for the Book's 2025 Type Devil. After an undergraduate in writing and printmaking from Bennington College and a diploma in bookbinding from North Bennet Street School, Jane was awarded two fellowships at the Boston Athenæum's conservation lab and worked as Assistant Book Conservator at the Northeast Document Conservation Center. Currently preparing for a master's in book conservation, Jane studies the archaeology of the book, with special interests in seventeenth- and eighteenth-century structures, folk repairs, and personalized bindings, and has two publications on the American scaleboard binding.
Bookbinding Core 1: Coptic Binding
with Sarah Songer

Bookbinding Core Certificate Program
The San Francisco Center for the Book celebrates the craft and art of bookbinding. Our Bookbinding Core Certificate Program introduces students to four different binding models, leading them through the history and evolution of bookmaking. It provides students a comprehensive foundation to delve into the practice of binding and qualifies them to rent studio time in our bindery. Core classes must be taken in order, 1 through 4.
Click here to learn more about the Bookbinding Core Certificate Program and how to receive a discount!
Bookbinding Core 1: Coptic Binding
This class introduces students to the craft with the Coptic stitch, one of the earliest structures in binding. Students will spend the morning making their own decorative pastepapers, then use them in the afternoon when binding their book.
In addition to coming away with a finished book made by hand, students will also be introduced to the tools and terms of bookbinding. Basic practices and equipment will be discussed as students familiarize themselves with both skills and safety measures needed for working in a bindery.
SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.
Prerequisite:
None. Beginners are welcome.
Materials to bring:
None. All tools and materials will be provided.
About the Instructor:
Nearsighted from childhood, Sarah Songer (she/her) learned to read at a young age because she couldn’t see anything twelve inches past her nose. Her love of books continued even after she got her first pair of glasses, and she earned a BA in Comparative Literature from UCLA.
She is the daughter of a printer and a graphic artist; in rebellion, she became a bookbinder. She spent ten years at Arion Press and trained many apprentices in edition binding. She is a longtime student of design bookbinder Eleanore Ramsey and was the proprietor of Bay Area Book Repair for several years. Sarah enjoys sharing the many bookbinding tips and efficiencies she's learned over the years, and finds her own personal projects most satisfying if they make her laugh.
Bookbinding Core 2: Flat-Back Case Binding
with Jane Knoll

Bookbinding Core Certificate Program
The San Francisco Center for the Book celebrates the craft and art of bookbinding. Our Bookbinding Core Certificate Program introduces students to four different binding models, leading them through the history and evolution of bookmaking. It provides students a comprehensive foundation to delve into the practice of binding and qualifies them to rent studio time in our bindery. Core classes must be taken in order, 1 through 4.
Click here to learn more about the Bookbinding Core Certificate Program and how to receive a discount!
Bookbinding Core 2: Flat-Back Case Binding
In this second Core Bookbinding class, students will create what most of us refer to as a hardbound book. In bookbinding terms, it is known as a case binding; where a sewn textblock is glued into a separate structure known as a case. Students will learn more about the mechanics of books as they build on skills from Core 1 and expand both their vocabulary and capabilities in and around the bindery.
SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.
Prerequisite:
Bookbinding Core 1
Materials to Bring:
All tools and materials will be provided. Students are also welcome to bring any leftover pastepapers from Core 1 that they might want to use on their book.
About the Instructor:
Jane Knoll (they/them) was the San Francisco Center for the Book's 2025 Type Devil. After an undergraduate in writing and printmaking from Bennington College and a diploma in bookbinding from North Bennet Street School, Jane was awarded two fellowships at the Boston Athenæum's conservation lab and worked as Assistant Book Conservator at the Northeast Document Conservation Center. Currently preparing for a master's in book conservation, Jane studies the archaeology of the book, with special interests in seventeenth- and eighteenth-century structures, folk repairs, and personalized bindings, and has two publications on the American scaleboard binding.
Bookbinding Core 1-4: Weeklong Intensive
with Clair Emma Smith

Bookbinding Core Certificate Program
The San Francisco Center for the Book celebrates the craft and art of bookbinding. Our Bookbinding Core Certificate Program introduces students to four different binding models, leading them through the history and evolution of bookmaking. It provides students a comprehensive foundation to delve into the practice of binding and qualifies them to rent studio time in our bindery. Core classes must be taken in order, 1 through 4.
The four structures are:
Bookbinding Core 1: Coptic Binding
Students will craft one of the earliest structures in binding. In addition to coming away with a finished book made by hand, students will also make their own decorative pastepapers to be used on their book. Basic practices and equipment will be discussed as students familiarize themselves with both skills and safety measures needed for working in a bindery.
Bookbinding Core 2: Flat-Back Case Binding
Students will create what most of us refer to as a hardbound book. In bookbinding terms, it is known as a case binding; where a sewn textblock is glued into a separate structure known as a case.
Bookbinding Core 3: Limp Paper Binding
Students will bind a book using limp vellum bindings as a model but employing thick paper as the folded and laced wrapper. They will learn to use a sewing frame and the skill of sewing headbands.
Bookbinding Core 4 :: Classic Rounded Back Cloth Binding (two sessions)
This final class uses skills learned in each previous class to create a beautiful and classic rounded back cloth binding. After sewing, the book will be rounded and backed before the boards are attached and covered.
The Weeklong Intensive rate is discounted $100 off the individual workshop fees.
SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.
Prerequisite:
None
Materials to Bring:
All tools and materials are provided.
About the Instructor:
Clair Emma Smith (she/her) is a bookbinder specializing in repair located in Oakland, California. She found her love of bookbinding during an art conservation internship at a historical society in Indiana, and she has been setting up her dream home studio ever since. Clair Emma relocated to the Bay Area after graduating from North Bennet Street School's bookbinding program in 2019 and works in private practice for both herself and other conservators as Bouguereau Bindery.