It’s been quite a year! Let's wrangle some of the craziness into a scary little book.

Learn how to create a “haunted village” using an accordion book structure with some playful pop-ups. This format is ideal for incorporating Halloween or Dia de los Muertos imagery which can be added with collage, stamping, ink, paint and cut outs. Make it as scary, funny, political or dystopian as you like!

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite: None

Materials to bring: 

- magazines/postcards/paper ephemera for collage

- any fun art supplies you like to use: decorative scissors, gel pens, etc.

About the Instructor: Stephanie Jucker (she/her) is an exhibiting artist who uses mixed media and printing techniques in her paintings, books, and art installations. Originally from London where she earned her BFA, Stephanie has an MFA from Syracuse in painting, printmaking, and ceramics. With 25 years of teaching experience, she currently runs art classes at College of Marin, Kala, and Art Works Downtown in San Rafael.

In this introductory class, students will gain a basic understanding of the history, techniques, tools and styles of European marbling.

Students will get hands-on experience of all aspects of Western marbling techniques from paper priming and preparatory mixing of water medium and paints, to the creation of classical patterns. Specific attention will be given to learning how to obtain particular designs using a diverse array of rakes and combs. Students will have ample time for experimentation with guidance from the instructor and will leave with a sampling of papers they've marbled themselves.  

*Please note that paper marbling is a wet process and papers made in the workshop may not be dry at the end of class. Students may return to SFCB after the workshop to retrieve any papers left to dry at the of the day or request mailed returns. 

Prerequisite: None

Materials to bring: All tools and materials will be provided. Please wear comfortable shoes for standing that you don't mind getting wet.

About the Instructor: Pietro Accardi (he/him) owned a Bookbindery in Turin (Italy) for 12 years. He worked for Turin’s main Library, Municipal Archives, and University Libraries restoring and binding documents and books. He also runs his own paper marbling and decorative box making business. Now he lives near Lake Tahoe with wife, cats and a studio. He is currently working for the library of special collections of University of Reno doing restoration work and teaches workshops.

Learn how to print on the Risograph, a machine that combines the ease of a photocopier with the stencil concept of silkscreen. A Risograph creates a stencil for each layer, printing a single color at a time. Inks are semi-opaque, so when layered two colors can create a third overlay.

In this class you’ll create two image layers by hand, and each student will print a 2-color poster in an edition of 20. Come ready to turn sketches or drawings into your poster. If you would prefer not to draw, consider bringing clip art, traced designs, stamps, or collage elements to make your design.

This workshop focuses on the analog approach to printing with a Risograph. The Introduction to Digital Risograph Printing workshop focuses on preparing files and printing via digital transmission. Either class will suffice as the prerequisite for the Risograph Certification workshop, though students are welcome to take both. Successful completion of the certification allows students to rent time on SFCB's Risograph. 

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply. 

Prerequisite: None

Materials to bring:

• Sketches, drawings, photographs, or collage imagery no larger than 10” x 16” on paper or clear acetate (spot imagery smaller than 10” x 16” will work as well).
• Pens: black ink, all kinds of tips/types (sharpies, markers, brush pens, felt tip, different sized nibs, etc.) Faber Castell's PITT pens or Micron's are examples where you have different sized nibs. You can also bring pencils (especially softer/darker ones if you want more hand-drawn imagery). Essentially anything to make a drawn mark with! Colored markers in yellows and pinks won't work well, though.
• Photos can be fun. Make sure they aren't precious in case you want to cut them up. Grayscale with a wide value range work the best, rather than color photos. You can print out or photocopy what you want to play with and bring that, rather than the original.
• Collage materials: papers with patterns, tapes like washi, templates or stencils for making shapes, black or dark construction paper for cutting out shapes.
• Stamps/stamp pad and letter/number stickers are great if you want to work with text.
• Scissors or X-acto knife; glue stick or clear tape; eraser.
• Please print out any digital imagery before class, no larger than 11" x 17", with a 1/2" border all around.

About the Instructor: Nathalie Roland (she/her) is a San Francisco-based printmaker and painter who has been creating woodcut prints since 1991. Working from her Sunset district garage studio known as Sunset Paperworks, she specializes in woodcut reduction prints using pine or mulberry wood blocks that transform through multiple stages of carving and printing. She has studied relief printing under Zarina Hashmi, screen printing at Ape Do Good, worked as a bookbinder at the Arion Press and was formerly the in-house Riso printer for Yellow Owl workshop. 

The artistic possibilities found in nature are endless. In this course students will explore different organic techniques like onion and iron solutions to turn found pieces of flora into prints on paper. Each technique will have different results and with instructor guidance students will study the use of mordants, baths, steaming and simmering with lots of leaves, flowers, and other plant parts.

At the end of the first day, each student will have created a stack of eco prints full of artistic potential. Leaving the prints to dry overnight, on the second day the instructor will demonstrate how to use these prints to create simple books, boxes, cards and other paper art. Students will leave with a useful handout and numerous eco-printed goodies to share with family and friends.

Prerequisite: None

Tools/Materials to bring: Fresh or pressed plants/botanicals. The instructor will send an email a week before class with instructions.

About the Instructor: Dorothy Yuki (she/her) studied to be something other than an artist. She began as a fashion designer immediately after college but soon she became a partner of a manufacturing company, In Good Company, from 1965-1976. She designed and manufactured kitchen soft goods and linens. Later, as a production and design consultant, she worked with many identity and music production companies, as well as new startups.

Now in her 80s and living in San Francisco, she is engaged in many volunteer activities, Ruth’s Table, Artseed, SCRAP-SF, San Francisco Center for the Book, and FabMo. She also mentored at Bay High School in their Senior Program. She was past President of Friends of Calligraphy and has been a Master Educator for the Macy’s Fashion Incubator San Francisco.

She still has the time to 'do art’ and has worked on projects for MMOCA, Flax Art and Design, Kalligraphia, Ruth’s Table, FabMo and SCRAP-SF. She is a recipient of Honorable Mentions for her artwork at the Marin Museum of Contemporary Art Altered Book Show 2014 and 2015. To find out more about Dorothy's work, visit her blog www.dotsrainbow.com

Learn basic bookbinding structures and stitches that every beginning book artist should know!

Students will learn five staple structures of the bookbinding world: pamphlet stitch, two versions of one-sheet wonders, accordion folding, and a Japanese stab binding. If you’ve been curious about book arts basics, this is a great starter class; in three hours, you’ll gain the know-how to start making books of your own.

Students also learn about local resources, bookbinding tools, and SFCB’s Bookbinding Core Program, as well as protocol for studio rental. 

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite: None

Materials to bring: All tools and materials will be provided.

About the Instructor: Mimi Zycherman (she/her) is a Book Conservator at a Bay Area Institution. She graduated from the North Bennet Street School’s Bookbinding program in 2023. She also received a BA in Art and Materials Conservation from Columbia College Chicago. In addition to a fellowship at the Boston Athenæum, she has interned in conservation labs at Dartmouth, Harvard, and New York City’s Municipal Archives. She specializes in fine design bindings that have been exhibited throughout the U.S. Mimi is also a member of the Guild of Bookworkers and the Hand Bookbinders of California.

If you have heard about letterpress but are not really sure what it is or how it works, this class will allow you to peer inside the rich history and engaging techniques of letterpress printing.

This class introduces the process, the materials, the machines, and the satisfaction of printing by hand on a Cylinder proof press. Participants will learn the basics of setting type using SFCB’s vast collection of lead type and decorative ornaments as well as inking, locking up and pulling a print.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite: None

Materials to bring: None

About the Instructor: Brian Lieske (he/him) wandered into SFCB many years ago and continues to haunt the place. He completed both the bookbinding and letterpress cores as well as several of the summer historic structure classes. He enjoys making fully hand-sewn books and still fights to not over-tighten his kettle stitches. He’s lived in San Francisco for more than 20 years having arrived shortly after completing an MFA at the University of Texas at Austin.

Learn how to create a unique artist’s book using textiles, stitching, inks and collage.

We will start by adhering a patchwork of fabrics and paper ephemera to freezer paper. When dry the resulting strip of material is peeled off the freezer paper and folded into an accordion. This can then be embellished with hand stitching, stamping, and ink painting.

Simple sewing and embroidery techniques will be demonstrated. The final fold out book will be attached to a textile cover that can also be decorated with these mixed media techniques.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite: None

Materials to bring: All tools and materials are provided. You may bring fabric scraps and other ephemera if you wish.

About the Instructor: Stephanie Jucker (she/her) is an exhibiting artist who uses mixed media and printing techniques in her paintings, books, and art installations. Originally from London where she earned her BFA, Stephanie has an MFA from Syracuse in painting, printmaking, and ceramics. With 25 years of teaching experience, she currently runs art classes at College of Marin, Kala, and Art Works Downtown in San Rafael.

Spend the day at SFCB making miniature book ornaments!

In this class we will sew single signatures that will then be cased into decorative covers. Variations on covering will include full paper, full cloth, and quarter cloth bindings. Gold foil labels of the current year, 2026, will also be available to place on the front cover.

These miniature books make great gifts and decorations and can even be used to note special memories from the past year.

Prerequisite: None

Materials to bring: All tools and materials will be provided. Students are also welcome to bring any of their own favorite bookbinding tools.

About the Instructor: Clair Emma Smith (she/her) is a bookbinder specializing in repair located in Oakland, California. She found her love of bookbinding during an art conservation internship at a historical society in Indiana, and she has been setting up her dream home studio ever since. Clair Emma relocated to the Bay Area after graduating from North Bennet Street School's bookbinding program in 2019 and works in private practice for both herself and other conservators as Bouguereau Bindery.