Learn how to print on the Risograph, a machine that combines the ease of a photocopier with the stencil concept of silkscreen. A Risograph creates a stencil for each layer, printing a single color at a time. Inks are semi-opaque, so when layered two colors can create a third overlay.

In this class you’ll create two image layers by hand, and each student will print a 2-color poster in an edition of 20. Come ready to turn sketches or drawings into your poster. If you would prefer not to draw, consider bringing clip art, traced designs, stamps, or collage elements to make your design.

This workshop focuses on the analog approach to printing with a Risograph. The Introduction to Digital Risograph Printing workshop focuses on preparing files and printing via digital transmission. Either class will suffice as the prerequisite for the Risograph Certification workshop, though students are welcome to take both. Successful completion of the certification allows students to rent time on SFCB's Risograph.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply. 

Prerequisite:
None

Materials to bring:

• Sketches, drawings, photographs, or collage imagery no larger than 10” x 16” on paper or clear acetate (spot imagery smaller than 10” x 16” will work as well).
• Pens: black ink, all kinds of tips/types (sharpies, markers, brush pens, felt tip, different sized nibs, etc.) Faber Castell's PITT pens or Micron's are examples where you have different sized nibs. You can also bring pencils (especially softer/darker ones if you want more hand-drawn imagery). Essentially anything to make a drawn mark with! Colored markers in yellows and pinks won't work well, though.
• Photos can be fun. Make sure they aren't precious in case you want to cut them up. Grayscale with a wide value range work the best, rather than color photos. You can print out or photocopy what you want to play with and bring that, rather than the original.
• Collage materials: papers with patterns, tapes like washi, templates or stencils for making shapes, black or dark construction paper for cutting out shapes.
• Stamps/stamp pad and letter/number stickers are great if you want to work with text.Scissors or X-acto knife; glue stick or clear tape; eraser.
• Please print out any digital imagery before class, no larger than 11" x 17", with a 1/2" border all around.

About the Instructor:
Meri Brin (she/her) has been teaching Printmaking around the Bay Area since 2007. Besides teaching at SFCB, she has taught Silkscreen at Mission Grafica, and was full-time faculty at Academy of Art University for a decade. Her prints have been exhibited in local, as well as national shows. She has a print in the Library of Congress, and also exhibits as Fixated Press at San Francisco Zine Fest. Her artwork examines the complexity and visual noise of the everyday world, or she just wants to show you some cats.

Meri is a member of the California Society of Printmakers, and is the Printmedia Studio Manager at California College of the Arts.

Learn basic bookbinding structures and stitches that every beginning book artist should know!

Students will learn five staple structures of the bookbinding world: pamphlet stitch, two versions of one-sheet wonders, accordion folding, and a Japanese stab binding. If you’ve been curious about book arts basics, this is a great starter class; in three hours, you’ll gain the know-how to start making books of your own.

Students also learn about local resources, bookbinding tools, and SFCB’s Bookbinding Core Program, as well as protocol for studio rental. 

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite:
None

Materials to bring:
All tools and materials will be provided.

About the Instructor:
Jane Knoll (they/them) was the San Francisco Center for the Book's 2025 Type Devil. After an undergraduate in writing and printmaking from Bennington College and a diploma in bookbinding from North Bennet Street School, Jane was awarded two fellowships at the Boston Athenæum's conservation lab and worked as Assistant Book Conservator at the Northeast Document Conservation Center. Currently preparing for a master's in book conservation, Jane studies the archaeology of the book, with special interests in seventeenth- and eighteenth-century structures, folk repairs, and personalized bindings, and has two publications on the American scaleboard binding.

In this informal monthly session, we'll engage in unconventional exercises to spark fresh approaches to drawing.

If you're hungry for a challenge, or want to try new techniques, or if you simply want to draw in the company of others, join us on the third Thursday of the month. 

Please note, the featured photo is student work from a previous session; the exercises will change each month and it may not represent the techniques used in class.

Since each session is different, you may wish to sign up for multiple dates. No drop-ins, please.

Prerequisite:
None

Materials to Bring:
Bring your preferred drawing materials and an open mind. Paper and basic tools will be provided.

About the Instructor:
Tim Svenonius (he/him) is a mixed-media artist whose work explores the intersections of history, memory and myth. A voracious reader and an avid researcher, his work is shaped by deep investigations into arcane knowledge and lore. He has worked for two decades in the museum field, as a designer, writer, and producer of digital media. In 2015 he self-published a monograph, A Book of Lost Latitudes, which explores the role of the whale in mythology and literature, through evocative drawings and found texts.

In this introductory class, students will gain a basic understanding of the history, techniques, tools and styles of European marbling.

Students will get hands-on experience of all aspects of Western marbling techniques from paper priming and preparatory mixing of water medium and paints, to the creation of classical patterns. Specific attention will be given to learning how to obtain particular designs using a diverse array of rakes and combs. Students will have ample time for experimentation with guidance from the instructor and will leave with a sampling of papers they've marbled themselves.  

*Please note that paper marbling is a wet process and papers made in the workshop may not be dry at the end of class. Students may return to SFCB after the workshop to retrieve any papers left to dry at the of the day or request mailed returns. 

Prerequisite:
None

Materials to bring:
All tools and materials will be provided. Please wear comfortable shoes for standing that you don't mind getting wet.

About the Instructor:
Pietro Accardi (he/him) owned a Bookbindery in Turin (Italy) for 12 years. He worked for Turin’s main Library, Municipal Archives, and University Libraries restoring and binding documents and books. He also runs his own paper marbling and decorative box making business. Now he lives near Lake Tahoe with wife, cats and a studio. He is currently working for the library of special collections of University of Reno doing restoration work and teaches workshops.

Create a multidimensional book using interlocking accordions and a piano-hinge fastening. Using simple folding techniques we will build two paper concertinas that can be combined together to create a honeycomb structure. This can then be further developed with paper cutting techniques and pop-ups. Color, pattern, and detail will be added with inks, stamping, and collage materials.

A piano-hinge will be attached to the covers and fasten the book closed. When the pin is removed the whole piece will open out to reveal a detailed and playful design on both sides of the book. Abstract or more figurative themes adapt well to this structure. Students will be guided in how to create a sense of narrative using purely visual motifs, or wording, or both!

Prerequisite:
None

Tools/Materials to bring:
Optional: decorative papers or ephemera to use for collage.

About the Instructor:
Stephanie Jucker (she/her) is an exhibiting artist who uses mixed media and printing techniques in her paintings, books, and art installations. Originally from London where she earned her BFA, Stephanie has an MFA from Syracuse in painting, printmaking, and ceramics. With 25 years of teaching experience, she currently runs art classes at College of Marin, Kala, and Art Works Downtown in San Rafael.

If you have heard about letterpress but are not really sure what it is or how it works, this class will allow you to peer inside the rich history and engaging techniques of letterpress printing.

This class introduces the process, the materials, the machines, and the satisfaction of printing by hand on a Cylinder proof press. Participants will learn the basics of setting type using SFCB’s vast collection of lead type and decorative ornaments as well as inking, locking up and pulling a print.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite:
None

Materials to bring:
None

About the Instructor:
Brian Lieske (he/him) wandered into SFCB many years ago and continues to haunt the place. He completed both the bookbinding and letterpress cores as well as several of the summer historic structure classes. He enjoys making fully hand-sewn books and still fights to not over-tighten his kettle stitches. He’s lived in San Francisco for more than 20 years having arrived shortly after completing an MFA at the University of Texas at Austin.

In this class students will find solutions for common problems that are often found in standard hardcover books, including:

- how to mend tears within the text block
- how to patch and sharpen the worn corners on cover boards
- how to tip in a loose page
- how to bridge a gap between signatures without removing the covers
- a simple technique to reback a text block 
- how to repair worn and torn head caps

This class is an excellent chance to learn repair techniques that often plague our most frequently handled books. Students are welcome to bring their own books but there will also be a sample book available to each student, just to be sure the full range of repair needs are available.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite:
None

Materials to bring:
All tools and materials will be provided. Students are also welcome to bring any of their own favorite bookbinding tools.

About the Instructor:
Michelle Sarjeant (she/her) is a bookbinder, author, and museum professional. She earned her Masters of Arts in Museum Studies Archival Care from John F. Kennedy University in Berkeley, California, and her undergraduate degree from Pacific University in Forest Grove, Oregon. She apprenticed in bookbinding with Sandra Good and now does repair and restoration work in her binding studio in Marin. 

She co-authored Modern San Rafael 1940-2000 with Jocelyn Moss, Librarian for the Marin History Museum, A History of the San Francisco State Belt with railroad historian Bill Kaufman and wrote San Rafael Through Time: As Illustrated & Described in 1884.

She is currently writing a book on the California Missions while rebinding books and is the Membership Chair for the Hand Bookbinders of California’s board.

Let’s embellish old photos with colorful thread! Learn the basics of sewing on paper to transform photographs, postcards, or design your own image from scratch.

Using a PDF provided by the instructor, we will start with the basics of embroidering on paper while thinking about drawing, linework and simple fills. We will use these stitches to build patterns on the page. Stitches will be demonstrated with time allowed for practice.

For the last hour, we will bring our new skills to vintage photos and postcards, while considering planning a design and how to mail your creation.

All SFCB online workshops are recorded. Video links will be available for eight weeks after class.

Prerequisite:
None

Materials/Tools to bring:
- 1-2 embroidery needles
- 3 colors of embroidery thread
- needle tool or awl
- at least 1-2 postcards or photos (on photo paper, not copies)
- scissors
- ruler
- pencil
- cardstock for printing out PDF (and access to a printer!)
- Optional: tracing paper

About the Instructor:
Hope Amico (they/them) is a visual artist, writer and educator who believes we could all use a creative practice. Through classes, collage meetups and the Keep Writing postcard project, they are excited to share ways we can work together and support each other creatively. Co-founder of the New Orleans Collage Collective and previously known as gutwrench press, they relocated to Portland, OR in 2020. They teach online and in-person through the MCBA, SFCB and privately through their own studio.