Spend the day at SFCB making miniature book ornaments!

In this class we will sew single signatures that will then be cased into decorative covers. Variations on covering will include full paper, full cloth, and quarter cloth bindings. Gold foil labels of the current year, 2026, will also be available to place on the front cover.

These miniature books make great gifts and decorations and can even be used to note special memories from the past year.

Prerequisite: None

Materials to bring: All tools and materials will be provided. Students are also welcome to bring any of their own favorite bookbinding tools.

About the Instructor: Clair Emma Smith (she/her) is a bookbinder specializing in repair located in Oakland, California. She found her love of bookbinding during an art conservation internship at a historical society in Indiana, and she has been setting up her dream home studio ever since. Clair Emma relocated to the Bay Area after graduating from North Bennet Street School's bookbinding program in 2019 and works in private practice for both herself and other conservators as Bouguereau Bindery.  

Discover the magic of Polaroid emulsion lifts in this hands-on workshop exploring one of photography's most tactile and unpredictable processes.

Participants will learn how to separate the delicate emulsion from a Polaroid photograph and transfer it onto a new surface, creating ethereal, painterly images that embrace chance, distortion, and imperfection.

Through demonstration and guided experimentation, this workshop will cover the complete emulsion lift process, from image selection, materials, handling techniques, transfer methods, and preservation. No prior experience is necessary.

Participants will leave with completed emulsion lift artworks, practical knowledge of the process, and the confidence to continue experimenting with this unique photographic technique on their own.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite: None

Materials to bring: All tools and materials will be provided.

About the Instructor: Ria Rajan (she/her) is an Intermedia artist and educator whose teaching emphasizes experimentation, material inquiry, and interdisciplinary making. Working across analog and digital media, she leads hands-on workshops that invite participants to explore experimentation with  image-making, and storytelling through accessible, process-driven approaches. Her workshops combine technical instruction with conceptual exploration, creating accessible, supportive environments for artists of all experience levels.  

Building on the skills learned in Introduction to Western Paper Marbling, this workshop will take students through the techniques needed to marble on fabric.

Students will begin the day by advancing upon their marbling skills with the introduction of marbling on fabric. With the instructor's guidance, they will work on new patterns with an eye for nuance. The main focus will be on marbling fabric to create book cloth, and techniques for other textile uses will also be discussed.

At the end of the day, the instructor will demonstrate how to prepare dry pieces of marbled cloth for use in bookbinding. Students will leave with their own stack of 15 marbled fabric pieces.

Prerequisite: This workshop is open to beginners who are specifically interested in marbling fabric, though it's best as a next step after an introductory class such as Introduction to Western Paper Marbling.

Materials to bring: All tools and materials will be provided. Please wear comfortable shoes and clothing that you don't mind getting wet and/or stained.

About the Instructor: Pietro Accardi (he/him) owned a Bookbindery in Turin (Italy) for 12 years. He worked for Turin’s main Library, Municipal Archives, and University Libraries restoring and binding documents and books. He also runs his own paper marbling and decorative box making business. Now he lives near Lake Tahoe with wife, cats and a studio. He is currently working for the library of special collections of University of Reno doing restoration work and teaches workshops.

If you have taken the introduction to paper marbling and enjoyed it, this advanced class provides you with the opportunity to try your hand at even more complex patterns, explore the color wheel and experiment more with your favorite palette. Pietro will skip all the introductory talks about paper marbling and, after a brief recap for rusty minds, start with some more advanced demonstration. Another main goal of this class will be the introduction of the use of metallic paint and give tips on how it could be “domesticated”.

Last but not least we’ll be talking about the many possibilities that overmarbling offers and you will execute 3 of such patterns. Also, this class is designed to accommodate the needs of special projects that students may have or envision (you can notify Pietro of your specific project in advance).

*Please note that paper marbling is a wet process and papers made in the workshop may not be dry at the end of class. Students may return to SFCB after the workshop to retrieve any papers left to dry at the of the day.  

Prerequisite: Introduction to Western Paper Marbling, Pietro's Paper Marbling online workshop, Introduction to Fabric Marbling, or other marbling experience.

Materials to bring: All tools and materials will be provided. Please wear comfortable shoes for standing that you don't mind getting wet.

About the Instructor: Pietro Accardi (he/him) owned a Bookbindery in Turin (Italy) for 12 years. He worked for Turin’s main Library, Municipal Archives, and University Libraries restoring and binding documents and books. He also runs his own paper marbling and decorative box making business. Now he lives near Lake Tahoe with wife, cats and a studio. He is currently working for the library of special collections of University of Reno doing restoration work and teaches workshops.

Buttonhole books come with personality on the spine and cover. Set your glue aside – these easy-to-learn non-adhesive bindings are great for writing and sketching in.

Students in this workshop will examine various examples of this binding structure and make their own buttonhole journal, using various decorative papers and cover cutouts.

Prerequisite: None

Materials to bring: All tools and materials will be provided.

About the Instructor: Dorothy Yuki (she/her) studied to be something other than an artist. She began as a fashion designer immediately after college but soon she became a partner of a manufacturing company. After its sale, she worked as a production and design consultant with many identity and music production companies, as well as new startups. While living in Tequisquiapan, she became involved with the Sierra Gorda Ecological Group and taught small communities to become self-sustaining. Now in her 80s and living in San Francisco, she is engaged in many volunteer activities. She was past President of Friends of Calligraphy and has been a Master Educator for the Macy’s Fashion Incubator San Francisco. 

This workshop is an introduction to the Japanese marbling technique of Suminagashi or “floating ink”.

Participants will learn paper and ink preparation, as well as brush application techniques used to create a series of uniquely marbled ink prints on masa and kozo papers.

Students will leave this one-day workshop with a collection of prints that they can use as bases for additional drawing or printing applications, or as standalone works of art. If they want to sign up for Solange's Contemporary Gilding class the following day, they can then gild their marbled designs.

Experimentation is encouraged and all are welcome!

Prerequisite: None

Tools/Materials to bring: All necessary materials will be supplied, but please bring additional papers you would like to experiment with as well as alternative mark-making tools such as branches, a straw, toothpick, fork, etc.

About the Instructor: Solange Roberdeau is a visual artist and freelance art educator and she works primarily in paper, sumi ink and with contemporary gilding in her own studio practice. Solange received a BFA in Printmaking from RISD in 2005 and an MFA in Studio Art from MICA in 2012. She teaches private classes as well as has taught workshops in contemporary gilding at institutions including locally at Kala Art Institute, Berkeley; nationally at the Maryland Institute College of Art, Baltimore and internationally at Cairo American College, Egypt. More information about Solange can be found on her website: www.solange-roberdeau.com.

Gilding is the process of applying metal leaf to a surface. This contemporary approach to an ancient process allows for makers from every background to explore a painterly approach to using metal leaf.

Learn the technical aspects of this gilding technique in this one-day class. Gilding can be used on any material surface from paper to wood to stone and in any application from fine art drawings on Japanese paper to holiday cards!

This workshop will provide students with the step-by-by process of incorporating metal leaf and loose pigment into compositions on varied material surfaces. As a jumping-off point, students will complete projects designed to familiarize students with the nuances of applying and trouble-shooting working with metal leaf on paper and mixed media collages.

Prerequisite: None

Tools/Materials to Bring: All tools and materials are provided by the instructor. Please bring a pencil or preferred drawing tool, and small objects, papers or other materials to experiment on.

About the Instructor: Solange Roberdeau is a visual artist and freelance art educator and she works primarily in paper, sumi ink and with contemporary gilding in her own studio practice. Solange received a BFA in Printmaking from RISD in 2005 and an MFA in Studio Art from MICA in 2012. She teaches private classes as well as has taught workshops in contemporary gilding at institutions including locally at Kala Art Institute, Berkeley; nationally at the Maryland Institute College of Art, Baltimore and internationally at Cairo American College, Egypt. More information about Solange can be found on her website: www.solange-roberdeau.com.