Learn how to print on the Risograph, a machine that combines the ease of a photocopier with the stencil concept of silkscreen. A Risograph creates a stencil for each layer, printing a single color at a time. Inks are semi-opaque, so when layered two colors can create a third overlay.

In this class you’ll create two image layers by hand, and each student will print a 2-color poster in an edition of 20. Come ready to turn sketches or drawings into your poster. If you would prefer not to draw, consider bringing clip art, traced designs, stamps, or collage elements to make your design.

This workshop focuses on the analog approach to printing with a Risograph. The Introduction to Digital Risograph Printing workshop focuses on preparing files and printing via digital transmission. Either class will suffice as the prerequisite for the Risograph Certification workshop, though students are welcome to take both. Successful completion of the certification allows students to rent time on SFCB's Risograph.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply. 

Prerequisite:
None

Materials to bring:

• Sketches, drawings, photographs, or collage imagery no larger than 10” x 16” on paper or clear acetate (spot imagery smaller than 10” x 16” will work as well).
• Pens: black ink, all kinds of tips/types (sharpies, markers, brush pens, felt tip, different sized nibs, etc.)
• Faber Castell's PITT pens or Micron's are examples where you have different sized nibs. You can also bring pencils (especially softer/darker ones if you want more hand-drawn imagery). Essentially anything to make a drawn mark with! Colored markers in yellows and pinks won't work well, though.
• Photos can be fun. Make sure they aren't precious in case you want to cut them up. Grayscale with a wide value range work the best, rather than color photos. You can print out or photocopy what you want to play with and bring that, rather than the original.
• Collage materials: papers with patterns, tapes like washi, templates or stencils for making shapes, black or dark construction paper for cutting out shapes.
• Stamps/stamp pad and letter/number stickers are great if you want to work with text.
• Scissors or X-acto knife; glue stick or clear tape; eraser.
• Please print out any digital imagery before class, no larger than 11" x 17", with a 1/2" border all around.

About the Instructor:
Nathalie Roland (she/her) is a San Francisco-based printmaker and painter who has been creating woodcut prints since 1991. Working from her Sunset district garage studio known as Sunset Paperworks, she specializes in woodcut reduction prints using pine or mulberry wood blocks that transform through multiple stages of carving and printing. She has studied relief printing under Zarina Hashmi, screen printing at Ape Do Good, worked as a bookbinder at the Arion Press and was formerly the in-house Riso printer for Yellow Owl workshop. 

Enjoy a fun and relaxed learning environment, and walk away your very own hand-made screw-post album.

This book is designed to fit 4x6" prints and works great as a way to preserve and share memories as a photo album or scrapbook. You will learn all about the basics of this flexible structure that can be taken apart, re-ordered, added to, and put back together with just a couple of screws.

This is a great class for those new to bookmaking! No previous experience is required – anyone is encouraged to come, learn, enjoy, and walk away with something creative and useful.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite:
None

Materials to bring:
All tools and materials will be provided. 

About the Instructor:
Madison Halaby Gordon (she/they) is a bookbinder and conservator-in-training living in Oakland, CA, currently working at Zukor Art Conservation and the Walt Disney Family Museum. She is fascinated by paper, and loves making and repairing practical, fun, accessible, and well-made structures for the use and enjoyment of everyday people. Madison is also trained in letterpress printing and has worked previously with the Key Printing & Binding (Oakland, CA) and Small Editions (Brooklyn, NY).

If you have heard about letterpress but are not really sure what it is or how it works, this class will allow you to peer inside the rich history and engaging techniques of letterpress printing.

This class introduces the process, the materials, the machines, and the satisfaction of printing by hand on a Cylinder proof press. Participants will learn the basics of setting type using SFCB’s vast collection of lead type and decorative ornaments as well as inking, locking up and pulling a print.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite: None

Materials to bring: None

About the Instructor: Brian Lieske (he/him) wandered into SFCB many years ago and continues to haunt the place. He completed both the bookbinding and letterpress cores as well as several of the summer historic structure classes. He enjoys making fully hand-sewn books and still fights to not over-tighten his kettle stitches. He’s lived in San Francisco for more than 20 years having arrived shortly after completing an MFA at the University of Texas at Austin.

In this class students will find solutions for common problems that are often found in standard hardcover books, including:

- how to mend tears within the text block
- how to patch and sharpen the worn corners on cover boards
- how to tip in a loose page
- how to bridge a gap between signatures without removing the covers
- a simple technique to reback a text block
- how to repair worn and torn head caps

This class is an excellent chance to learn repair techniques that often plague our most frequently handled books. Students are welcome to bring their own books but there will also be a sample book available to each student, just to be sure the full range of repair needs are available.

The scholarship for this session has been awarded.

Prerequisite:
None

Materials to bring:
All tools and materials will be provided.

About the Instructor:
Michelle Sarjeant (she/her) is a bookbinder, author, and museum professional. She earned her Masters of Arts in Museum Studies Archival Care from John F. Kennedy University in Berkeley, California, and her undergraduate degree from Pacific University in Forest Grove, Oregon. She apprenticed in bookbinding with Sandra Good and now does repair and restoration work in her binding studio in Marin. 

She co-authored Modern San Rafael 1940-2000 with Jocelyn Moss, Librarian for the Marin History Museum, A History of the San Francisco State Belt with railroad historian Bill Kaufman and wrote San Rafael Through Time: As Illustrated & Described in 1884.

She is currently writing a book on the California Missions while rebinding books and is the Membership Chair for the Hand Bookbinders of California’s board.

Sometimes you want to make a cyanotype print in San Francisco, and the sun just won't cooperate.

This simple and fun class leads students through the process of creating their own cyanotype prints using a plate-making exposure unit.

Participants will learn how to use the exposure unit to create multiple small prints using a variety of items with interesting shapes as the the "film". Emphasis will be on play and experimentation with various techniques, with lots of "don'ts" on display for inspiration. Upon completion of the workshop, students will be qualified to rent time on SFCB's platemaker exposure unit.

Prerequisite:
None

Materials to bring:
Photographs, small flat objects (leaves, keys), anything flattish with an interesting shape or range of transparency (lace, chain, flowers).

About the Instructor:
Brian Ferrett (he/him) has a printing degree from MATC and worked in offset web and screen printing. In 2008 he joined M&H Type as a typecasting apprentice under Lewis Mitchell. These days he manages M&H's daily operations, maintains the historic casting machines and presses, casts type, and prints for the various Arion Press publications. Brian is a member of the Northern California chapter of the American Printing History Association, the American Typecaster Fellowship, and volunteers with San Francisco Public Library's annual Valentine’s Day broadside event. In his spare time he plays around with his Vandercook 219AB, C&P New Style 10x15, and his two Kelseys.

This is a two-session online workshop. All times are Pacific.

The 20th-century Czech paper engineer Vojtěch Kubašta is known for many things: he was spectacularly prolific; he served as writer, illustrator and engineer for his books; and relevant to what follows, he favored a single approach to paper engineering—the cut-in structure. Cut-in pop-ups, a.k.a. kirigami, are generally formed by cutting and folding a single sheet of paper, yielding elegant and efficient structures.

Participants will build 12 no-glue/no-thread structures using a kit of pieces pre-cut from simple white cardstock. The focus is pure mechanism, but with some light application to suggest possibilities for use. Ultimately, the structures are gluelessly bound and tucked into a sturdy box.

This four-hour workshop is divided over two sessions, with time in-between for independent work.

This workshop uses a mailed kit of pre-cut pieces. Students will be required to provide a USPS-friendly mailing address for their kit. No international students, please, due to high kit shipping costs and transit times.

All SFCB online workshops are recorded. Video links will be available for eight weeks after class.

Tools/Materials to Bring:

- mailed kit of pieces provided by instructor

AND

- bone folder
- microspatula
- tweezers
- self-healing mat
- x-acto knife
- pencil
- ruler

About the Instructor:

Shawn Sheehy has been teaching book arts courses and workshops since 2001. His broadsides and artist book editions have been collected by such institutions as Stanford, Carnegie Mellon, University of Chicago, Library of Congress, UCLA, and Harvard. Sheehy’s trade pop-up books Welcome to the Neighborwood and Beyond the Sixth Extinction (both mass-market versions of previous artist books) were published by Candlewick and have won numerous awards. Sheehy served as director of The Movable Book Society from 2018 to 2023. He holds an MFA in Book Arts from Columbia College Chicago.

Bookbinding Core Certificate Program

The San Francisco Center for the Book celebrates the craft and art of bookbinding. Our Bookbinding Core Certificate Program introduces students to four different binding models, leading them through the history and evolution of bookmaking. It provides students a comprehensive foundation to delve into the practice of binding and qualifies them to rent studio time in our bindery. Core classes must be taken in order, 1 through 4.

Click here to learn more about the Bookbinding Core Certificate Program and how to receive a discount!

Bookbinding Core 1: Coptic Binding

This class introduces students to the craft with the Coptic stitch, one of the earliest structures in binding. Students will spend the morning making their own decorative pastepapers, then use them in the afternoon when binding their book.

In addition to coming away with a finished book made by hand, students will also be introduced to the tools and terms of bookbinding. Basic practices and equipment will be discussed as students familiarize themselves with both skills and safety measures needed for working in a bindery.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite:
None. Beginners are welcome. 

Materials to bring:
None. All tools and materials will be provided.

About the Instructor:
Clair Emma Smith (she/her) is a bookbinder specializing in repair located in Oakland, California. She found her love of bookbinding during an art conservation internship at a historical society in Indiana, and she has been setting up her dream home studio ever since. Clair Emma relocated to the Bay Area after graduating from North Bennet Street School's bookbinding program in 2019 and works in private practice for both herself and other conservators as Bouguereau Bindery. 

If you’ve taken either the Introduction to Digital or Analog Risograph Printing class and are looking to rent the Riso machine independently, this is the next step. 

The Risograph Certification class will reinforce proper usage and care of the machine through two projects, covering both analog and digital techniques.  We’ll reacquaint ourselves with the machine and troubleshoot when printing our first project from the glass. Then we will take a look at Spectrolite software, which can be used to prep digital files before printing or review files in desired color combinations. We will use Spectrolite to send files directly to the Riso for the second project. 

Each student will be required to switch drums, confidential a master and execute other basic functions. This class will be a fast-paced assessment of a student’s skills rather than a time for experimentation.

Upon satisfactory completion of the Risograph Certification class, you will be able to rent the Riso at SFCB to work independently on your posters, zines, or other printed matter! 

Prerequisite:
Introduction to Digital Risograph Printing OR Introduction to Analog Risograph Printing OR previous Riso printing experience. If your experience is from outside SFCB, please contact us before registering to request a skills review. 

Materials to bring:
Students will complete two separate projects, two colors each. Come prepared with designs ready to print. Both projects will be printed on 11” x 17” paper, they must have margins and images must not be larger than 10” x 16”.

One project should be ready to print from the glass of the machine (remember that two colors means two separate layers!). The second project should be digital files on a thumb drive, or digital storage that can be accessed from a shared laptop. Ideally you’ll work with one or more color photographs for this project, .jpg or pdf, please. The studio will supply paper for printing.

We suggest you download Spectrolite in the weeks before class to familiarize yourself with the software.

About the Instructor:
Meri Brin (she/her) has been teaching Printmaking around the Bay Area since 2007. Besides teaching at SFCB, she has taught Silkscreen at Mission Grafica, and was full-time faculty at Academy of Art University for a decade. Her prints have been exhibited in local, as well as national shows. She has a print in the Library of Congress, and also exhibits as Fixated Press at San Francisco Zine Fest. Her artwork examines the complexity and visual noise of the everyday world, or she just wants to show you some cats.

Meri is a member of the California Society of Printmakers, and is the Printmedia Studio Manager at California College of the Arts.