Bookbinding Core Certificate Program

The San Francisco Center for the Book celebrates the craft and art of bookbinding. Our Bookbinding Core Certificate Program introduces students to four different binding models, leading them through the history and evolution of bookmaking.  It provides students a comprehensive foundation to delve into the practice of binding and qualifies them to rent studio time in our bindery. Core classes must be taken in order, 1 through 4.

Click here to learn more about the Bookbinding Core Certificate Program and how to receive a discount!

Bookbinding Core 2: Flat-Back Case Binding

In this second Core Bookbinding class, students will create what most of us refer to as a hardbound book. In bookbinding terms, it is known as a case binding; where a sewn textblock is glued into a separate structure known as a case. Students will learn more about the mechanics of books as they build on skills from Core 1 and expand both their vocabulary and capabilities in and around the bindery.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite:
Bookbinding Core 1

Materials to Bring:
All tools and materials will be provided. Students are also welcome to bring any leftover pastepapers from Core 1 that they might want to use on their book.

About the Instructor:
Jane Knoll (they/them) was the San Francisco Center for the Book's 2025 Type Devil. After an undergraduate in writing and printmaking from Bennington College and a diploma in bookbinding from North Bennet Street School, Jane was awarded two fellowships at the Boston Athenæum's conservation lab and worked as Assistant Book Conservator at the Northeast Document Conservation Center. Currently preparing for a master's in book conservation, Jane studies the archaeology of the book, with special interests in seventeenth- and eighteenth-century structures, folk repairs, and personalized bindings, and has two publications on the American scaleboard binding.

This half-day workshop explores ways you can modify the traditional color wheel to suit your own creative practice.

We'll begin with an overview of color models used by artists from the 17th century to the present. A sequence of exercises will demonstrate ways to leverage traditional color concepts to meet different aims. You'll come away with new frameworks for experimentation, and potentially new ways of working with your trusted colors.

You're encouraged to bring your preferred color medium. The concepts and principles covered in the class can be applied to any color medium, wet or dry.

Prerequisite:
Students are expected to have a basic familiarity with color theory.

Materials to Bring:
Bring a range of colors in whichever medium you're comfortable with: colored pencil, pastel, watercolor, gouache, acrylic, plus any brushes or accessories needed. No oils, please. Paper will be provided.

About the Instructor:
Tim Svenonius (he/him) is a mixed-media artist whose work explores the intersections of history, memory and myth. A voracious reader and an avid researcher, his work is shaped by deep investigations into arcane knowledge and lore. He has worked for two decades in the museum field, as a designer, writer, and producer of digital media. In 2015 he self-published a monograph, A Book of Lost Latitudes, which explores the role of the whale in mythology and literature, through evocative drawings and found texts.

Bookbinding Core Certificate Program

The San Francisco Center for the Book celebrates the craft and art of bookbinding. Our Bookbinding Core Certificate Program introduces students to four different binding models, leading them through the history and evolution of bookmaking. It provides students a comprehensive foundation to delve into the practice of binding and qualifies them to rent studio time in our bindery. Core classes must be taken in order, 1 through 4.

The four structures are:

Bookbinding Core 1: Coptic Binding
Students will craft one of the earliest structures in binding. In addition to coming away with a finished book made by hand, students will also make their own decorative pastepapers to be used on their book. Basic practices and equipment will be discussed as students familiarize themselves with both skills and safety measures needed for working in a bindery.

Bookbinding Core 2: Flat-Back Case Binding
Students will create what most of us refer to as a hardbound book. In bookbinding terms, it is known as a case binding; where a sewn textblock is glued into a separate structure known as a case. 

Bookbinding Core 3: Limp Paper Binding
Students will bind a book using limp vellum bindings as a model but employing thick paper as the folded and laced wrapper. They will learn to use a sewing frame and the skill of sewing headbands.

Bookbinding Core 4 :: Classic Rounded Back Cloth Binding (two sessions)
This final class uses skills learned in each previous class to create a beautiful and classic rounded back cloth binding. After sewing, the book will be rounded and backed before the boards are attached and covered.

The Weeklong Intensive rate is discounted $100 off the individual workshop fees.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite:
None

Materials to Bring:
All tools and materials are provided.

About the Instructor:
Clair Emma Smith (she/her) is a bookbinder specializing in repair located in Oakland, California. She found her love of bookbinding during an art conservation internship at a historical society in Indiana, and she has been setting up her dream home studio ever since. Clair Emma relocated to the Bay Area after graduating from North Bennet Street School's bookbinding program in 2019 and works in private practice for both herself and other conservators as Bouguereau Bindery. 

If you have heard about letterpress but are not really sure what it is or how it works, this class will allow you to peer inside the rich history and engaging techniques of letterpress printing.

This class introduces the process, the materials, the machines, and the satisfaction of printing by hand on a Cylinder proof press. Participants will learn the basics of setting type using SFCB’s vast collection of lead type and decorative ornaments as well as inking, locking up and pulling a print.

Prerequisite:
None

Materials to bring:
None

About the Instructor:
Brian Ferrett (he/him) has a printing degree from MATC and worked in offset web and screen printing. In 2008 he joined M&H Type as a typecasting apprentice under Lewis Mitchell. These days he co-manages M&H's daily operations, maintains the historic casting machines and presses, casts type and prints for the various Arion Press publications. Brian is a member of the Northern California chapter of the American Printing History Association, the American Typecaster Fellowship, and volunteers with San Francisco Public Library's annual Valentine’s Day broadside event. In his spare time he plays around with his Vandercook 219AB, C&P New Style 10x15, and his two Kelseys.

Bookbinding Core Certificate Program

The San Francisco Center for the Book celebrates the craft and art of bookbinding. Our Bookbinding Core Certificate Program introduces students to four different binding models, leading them through the history and evolution of bookmaking.  It provides students a comprehensive foundation to delve into the practice of binding and qualifies them to rent studio time in our bindery. Core classes must be taken in order, 1 through 4.

Click here to learn more about the Bookbinding Core Certificate Program and how to receive a discount!

Bookbinding Core 2: Flat-Back Case Binding

In this second Core Bookbinding class, students will create what most of us refer to as a hardbound book. In bookbinding terms, it is known as a case binding; where a sewn textblock is glued into a separate structure known as a case. Students will learn more about the mechanics of books as they build on skills from Core 1 and expand both their vocabulary and capabilities in and around the bindery.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite:
Bookbinding Core 1

Materials to Bring:
All tools and materials will be provided. Students are also welcome to bring any leftover pastepapers from Core 1 that they might want to use on their book.

About the Instructor:
A life-long love of working with her hands led Megan Gibes (she/her) to study bookbinding at the North Bennet Street School in Boston. Upon graduation in 2015, she went to work in Santa Barbara as the Head Bookbinder for Heirloom Bindery, followed by an apprenticeship at the Arion Press in San Francisco. Now the Lead Bookbinder, she is responsible for running day-to-day production in the Arion bindery. An active member of the Guild of Bookworkers and board member of the Hand Bookbinders of California, she also creates her own work as Long Arrow Bindery. She still loves making books every day.

Learn how to print on the Risograph, a machine that combines the ease of a photocopier with the stencil concept of silkscreen.

A Risograph creates a stencil for each layer, printing a single color at a time. Inks are semi-opaque, so when layered two colors can create a third overlay.

In this class you’ll create two image layers by hand, and each student will print a 2-color poster in an edition of 20. Come ready to turn sketches or drawings into your poster. If you would prefer not to draw, consider bringing clip art, traced designs, stamps, or collage elements to make your design.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply. 

Prerequisite:
None

Materials to bring:

• Sketches, drawings, photographs, or collage imagery no larger than 10” x 16” on paper or clear acetate (spot imagery smaller than 10” x 16” will work as well).
• Pens: black ink, all kinds of tips/types (sharpies, markers, brush pens, felt tip, different sized nibs, etc.) Faber Castell's PITT pens or Micron's are examples where you have different sized nibs. You can also bring pencils (especially softer/darker ones if you want more hand-drawn imagery). Essentially anything to make a drawn mark with! Colored markers in yellows and pinks won't work well, though.
• Photos can be fun. Make sure they aren't precious in case you want to cut them up. Grayscale with a wide value range work the best, rather than color photos. You can print out or photocopy what you want to play with and bring that, rather than the original.
• Collage materials: papers with patterns, tapes like washi, templates or stencils for making shapes, black or dark construction paper for cutting out shapes.
• Stamps/stamp pad and letter/number stickers are great if you want to work with text.
• Scissors or X-acto knife; glue stick or clear tape; eraser.
• Please print out any digital imagery before class, no larger than 11" x 17", with a 1/2" border all around.

About the Instructor:
Meri Brin (she/her) has been teaching Printmaking around the Bay Area since 2007. Besides teaching at SFCB, she has taught Silkscreen at Mission Grafica, and was full-time faculty at Academy of Art University for a decade. Her prints have been exhibited in local, as well as national shows. She has a print in the Library of Congress, and also exhibits as Fixated Press at San Francisco Zine Fest. Her artwork examines the complexity and visual noise of the everyday world, or she just wants to show you some cats.

Meri is a member of the California Society of Printmakers, and is the Printmedia Studio Manager at California College of the Arts.

There are two machines commonly used to title books using heated type and dies: the Kwikprint and the Kensol. SFCB is fortunate enough to have both in our bindery! Combining heat with pressure, stamping machines can produce a lovely shiny image on paper, bookcloth, and leather.

Students will learn how to safely set up and operate both styles of stamping machines. Each one is best suited for either type or magnesium dies, and students will get a complete overview of both. They'll also learn the operational differences between the machines, and why they're used for different applications. Most of all, students will learn to troubleshoot a poor result.

This is a great class for anyone interested in stamping with metallic or matte foils on paper, bookcloth or leather; hot stamping can be used on anything from notecards to notebooks to boxes to fine leather bindings. For anyone interested in learning how to do gold tooling on leather, this class is an excellent introduction to the guiding concepts behind how to get a crisp, even impression.

Prerequisite:
None

Materials to Bring:
Please bring an example of something you'd like to stamp, and we'll at least discuss how to get the result you're looking for. Time permitting, we may even stamp it!

About the Instructor:
Juliayn Coleman has been a professional bookbinder since her graduation from the North Bennet Street School bookbinding program in 2003. Her private practice encompasses all levels of book repair and conservation, custom portfolio and enclosure making, teaching, and being a good ambassador for the craft of bookbinding in general. Some of her creative and professional projects can be seen at bookislandbindery.com.

Using vibrant-colored European papers, wire, tape, and glue, learn to create your own lasting floral bouquets!

Choose from a variety of beautiful colors and shades to create vibrant hibiscus and daffodils. You’ll take home a small bouquet and the knowledge and skills to make more!

Prerequisite:
None

Materials to Bring:
None

About the Instructor:
Elaine G. Chu (she/her) has taught students of all ages, in person and online. Her work has been featured in “Greencraft” and “Somerset Studio” magazines as well as “1000 Artists’ Books.” She co-authored “Wood Paper Scissors,” a how-to crafts book. Elaine received a B.A. in music at Yale University and a B.F.A. in graphic design at University of the Arts. View more on Etsy and on Instagram @egchu1