Cylinder Core Certificate Program

The four class Cylinder Core Certificate Program allows students to move quickly through press basics while also addressing relief printing in general. Students who finish the four Core classes are qualified to rent press time as well as move on to more advanced classes and techniques. Core classes must be taken in order, 1 through 4.

Click here to learn more about the Cylinder Core Certificate Program and how to receive a discount!

Cylinder Core 1: Experience Letterpress!

Dig in to the tradition and history of letterpress printing and get your hands dirty. Learn about the process and practice of setting type, mixing inks and pulling impressions. Students will design and print a small edition of a single-color folded greeting card using the type and cuts (images) in the SFCB collection.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite: None

Materials to bring: All tools and materials will be provided. Students can come with a few phrases/ideas for their greeting card.

Please note: Class projects are for learning particular skills and supporting class dynamics. Project ideas should be flexible, open to what class time and communal studio use will permit.

About the Instructor: Brian Ferrett (he/him) has a printing degree from MATC and worked in offset web and screen printing. In 2008 he joined M&H Type as a typecasting apprentice under Lewis Mitchell. These days he manages M&H's daily operations, maintains the historic casting machines and presses, casts type, and prints for the various Arion Press publications. Brian is a member of the Northern California chapter of the American Printing History Association, the American Typecaster Fellowship, and volunteers with San Francisco Public Library's annual Valentine’s Day broadside event. In his spare time he plays around with his Vandercook 219AB, C&P New Style 10x15, and his two Kelseys.

If you’ve taken either the Introduction to Digital or Analog Risograph Printing class and are looking to rent the Riso machine independently, this is the next step. 

The Risograph Certification class will reinforce proper usage and care of the machine through two projects, covering both analog and digital techniques.  We’ll reacquaint ourselves with the machine and troubleshoot when printing our first project from the glass. Then we will take a look at Spectrolite software, which can be used to prep digital files before printing or review files in desired color combinations. We will use Spectrolite to send files directly to the Riso for the second project. 

Each student will be required to switch drums, confidential a master and execute other basic functions. This class will be a fast-paced assessment of a student’s skills rather than a time for experimentation.

Upon satisfactory completion of the Risograph Certification class, you will be able to rent the Riso at SFCB to work independently on your posters, zines, or other printed matter! 

Prerequisite: Introduction to Digital Risograph Printing OR Introduction to Analog Risograph Printing OR previous Riso printing experience. If your experience is from outside SFCB, please contact us before registering to request a skills review. 

Materials to bring: Students will complete two separate projects, two colors each. Come prepared with designs ready to print. Both projects will be printed on 11” x 17” paper, they must have margins and images must not be larger than 10” x 16”.

One project should be ready to print from the glass of the machine (remember that two colors means two separate layers!). The second project should be digital files on a thumb drive, or digital storage that can be accessed from a shared laptop. Ideally you’ll work with one or more color photographs for this project, .jpg or pdf, please. The studio will supply paper for printing.

We suggest you download Spectrolite in the weeks before class to familiarize yourself with the software.

About the Instructor: Meri Brin (she/her) has been teaching Printmaking around the Bay Area since 2007. Besides teaching at SFCB, she has taught Silkscreen at Mission Grafica, and was full-time faculty at Academy of Art University for a decade. Her prints have been exhibited in local, as well as national shows. She has a print in the Library of Congress, and also exhibits as Fixated Press at San Francisco Zine Fest. Her artwork examines the complexity and visual noise of the everyday world, or she just wants to show you some cats.

Meri is a member of the California Society of Printmakers, and is the Printmedia Studio Manager at California College of the Arts.

Working from pre-cut materials, students will learn three simple enclosures: Folded Paper Portfolio, Phased Box, & Slipcase. Students will be guided through the various design, construction, applications, pros, cons, and special options for each structure.  

Critical skills covered include:

Scaling from object to enclosure

Box Construction and Covering

Scoring and Folding Paper

Options for combining and augmenting these basic structures 

Prerequisite: None

Tools/Materials to Bring: None. Students are welcome to bring any of their own favorite bookbinding tools.

About the Instructor: Brian Lieske (he/him) wandered into SFCB many years ago and continues to haunt the place. He completed both the bookbinding and letterpress cores as well as several of the summer historic structure classes, and now teaches SFCBs Box Making Core classes. He enjoys making fully hand-sewn books and still fights to not over-tighten his kettle stitches. He’s lived in San Francisco for more than 20 years having arrived shortly after completing an MFA at the University of Texas at Austin.

The term “Hussif” is short for “huswif” or “housewife”, and is a word used to describe these historical travel sewing kits. In the 18th and 19th centuries, sewists, sailors, and soldiers alike carried a hussif.

In this workshop, students will create their own hand stitched hussif that contains three pockets for stashing threads, small scissors or snips, thimble, fabric scraps, etc. There is also an area at the bottom for pins, needles and safety pins. The huswif is designed to be rolled up, tied, and easily carried in a pocket, bag, or luggage, and keeps your supplies neat and tidy during your travels, while attending a workshop, or around the house.

This is a perfect project to use up fabric scraps since the pocket sizes are relatively small and the backing can be pieced together. Finished product is 4 ½ x 15" unrolled.

Prerequisite: None

Materials to bring:

Students will supply their own materials and some tools. Please bring:

- the equivalent of about 1/2 yard of fabric. Historically, the Hussif was made out of scraps of fabric pieced together. The largest piece is the backing which will be 5 x 16", but it can be pieced together. The other pieces range from 5 x 7" to5 x 3.5". Reuse is encouraged!

- 1 piece of fabric (20 x 2.5") or ribbon or twill tape (20") - this is for the tie.

- 1 or 2 pieces of felt or wool (about 3 x 3") for needles. It can also be a piece of regular woven fabric

- thread (sashiko, machine thread, purl cotton, embroidery thread, etc., bring a variety

Tools: sharp scissors or rotary cutter, needles to fit your threads, pins, thread snips. SFCB has cutting mats for your use.

About the Instructor: Jody Alexander (she/her) is a mixed media artist who lives and works in Santa Cruz and Penn Valley, California. She combines textiles, paper, found items and imagery to create books, objects, wall pieces, garments, and installations. Her current work is inspired by the art of repair, reuse, and imagery and stories encountered in her travels and everyday.

Her work appears in a number of publications including Masters: Book Arts: Major Works by Leading Artist, 500 Handmade Books, and 1000 Artists' Books: Exploring the Book as Art. Jody was an artist in residence at the Santa Cruz Resource Recovery Facility in 2019, and is the 2015 recipient of the Rydell Visual Arts Fellowship. She holds a Bachelor’s degree in Art History from U.C.L.A., and a Master’s degree in Library Science from Simmons College, Boston, MA.

Jody teaches and exhibits nationally and internationally.

Bookbinding Core Certificate Program

The San Francisco Center for the Book celebrates the craft and art of bookbinding. Our Bookbinding Core Certificate Program introduces students to four different binding models, leading them through the history and evolution of bookmaking. It provides students a comprehensive foundation to delve into the practice of binding and qualifies them to rent studio time in our bindery. Core classes must be taken in order, 1 through 4.

The four structures are:

Bookbinding Core 1: Coptic Binding

Students will craft one of the earliest structures in binding. In addition to coming away with a finished book made by hand, students will also make their own decorative pastepapers to be used on their book. Basic practices and equipment will be discussed as students familiarize themselves with both skills and safety measures needed for working in a bindery.

Bookbinding Core 2: Flat-Back Case Binding

Students will create what most of us refer to as a hardbound book. In bookbinding terms, it is known as a case binding; where a sewn textblock is glued into a separate structure known as a case. 

Bookbinding Core 3: Limp Paper Binding

Students will bind a book using limp vellum bindings as a model but employing thick paper as the folded and laced wrapper. They will learn to use a sewing frame and the skill of sewing headbands.

Bookbinding Core 4 :: Classic Rounded Back Cloth Binding (two sessions)

This final class uses skills learned in each previous class to create a beautiful and classic rounded back cloth binding. After sewing, the book will be rounded and backed before the boards are attached and covered.

The Weeklong Intensive rate is discounted $100 off the individual workshop fees.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite: None

Materials to Bring: All tools and materials are provided.

About the Instructor: Beth Redmond (she/her) was first introduced to making books in the photography program at San Jose State. She loves binding books for their perfect marriage of functionality and creativity.  After learning the basics of a well-made book at SFCB she went on to study fine binding at the American Academy of Bookbinding in Telluride, CO. She works primarily with leather to create bindings for public and private collections. Her work can be seen at https://bredmond.weebly.com.

Discover how to dampen paper, use bearers, and finesse rubber-and oil-based inks on Cylinder and Jobbing Platen Presses for better ink coverage and control.

Learn the secrets to better printing through proper inking techniques. This workshop is an in-depth review of how to apply and manipulate ink on Cylinder and Jobbing Platen presses, providing tips that will help students at all levels to become more successful printers. 

The instructor will provide tips on the use of rubber- and- oil-based inks on various papers. Students will learn why and how to dampen paper for better ink coverage, why allowing ink to set gives better results, and how to use bearers for better ink control. Students will also learn how to mix ink and what kind of ink additives give more control.

This is less of a hands-on class, more of a deep dive into best practices. Be prepared to take notes!

Prerequisite: None

Materials to bring: All tools and materials will be provided.

About the Instructor: Alan Hillesheim (he/him) has been wrenching around printing presses for 35 years. Printing presses need to be moved, oiled, inked, cleaned, and maintained, in short they need attention like a six year old. Maintenance is a dirty business, but a necessary one for beautifully printed anything. Alan has a passion for the mechanics of the print studio and enjoys encouraging others to roll up their sleeves and grab a wrench. His 35 years in the letterpress business and “all-ten-fingers” count speak for themselves. Join him and wear old clothes.

Oh, and once the press is in fine order, Alan has a few secrets to divulge about perfect inking and stellar printing.

Bookbinding Core Certificate Program

The San Francisco Center for the Book celebrates the craft and art of bookbinding. Our Bookbinding Core Certificate Program introduces students to four different binding models, leading them through the history and evolution of bookmaking.  It provides students a comprehensive foundation to delve into the practice of binding and qualifies them to rent studio time in our bindery. Core classes must be taken in order, 1 through 4.

Click here to learn more about the Bookbinding Core Certificate Program and how to receive a discount!

Bookbinding Core 3: Limp Paper Binding

In centuries past, books were sometimes sewn onto cords and then laced into soft covers before being bound for a specific collection or library. Often covered with calfskin, these limp vellum bindings became an important structure all their own. In this class students will bind a book using these bindings as a model but employing thick paper as the folded and laced wrapper. Students will learn to use a sewing frame and the skill of sewing headbands.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite: Bookbinding Core 1 and 2

Materials to Bring: None, all tools and materials are provided.

About the Instructor: Erika Lindensmith (she/her) has been a book conservator for almost 30 years. She trained in library and archives conservation at the University of Texas and worked at institutions in Wales, Scotland and New York before settling in California. Her interests are historical book structures and repair. She is excited to share her love of making books.

Cylinder Core Certificate Program

The four class Cylinder Core Certificate Program allows students to move quickly through press basics while also addressing relief printing in general. Students who finish the four Core classes are qualified to rent press time as well as move on to more advanced classes and techniques. Core classes must be taken in order, 1 through 4.

Click here to learn more about the Cylinder Core Certificate Program and how to receive a discount.

Cylinder Core 2: Power of the Broadside

A broadside is a single-sided printed sheet historically used for advertisements, proclamations, or other public announcements, though in modern times they're most often used for poetry.

In Core 2 you'll build your letterpress skills: learn advanced justification, typesetting, and composition, then put it all together to print a single-color 8 x 10" broadside of your own design.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite: Cylinder Core 1

Materials to Bring: All tools and materials are provided. 

Students can bring some ideas for what to set as multi-line text, with the understanding that the instructor will have final say in what will be appropriate for this project. Poems, song lyrics, and pithy paragraphs are good candidates.

Please note: Class projects are for learning particular skills and supporting class dynamics. Project ideas should be flexible, open to what class time and communal studio use will permit.

About the Instructor: Lisa Rappoport (she/her) publishes poetry broadsides and artists' books under the imprint Littoral Press. Since 1998 she has produced a series of broadsides by the poets who teach at the Community of Writers; she has also printed poetry broadsides for Lawrence Ferlinghetti and City Lights Books, the Watershed Environmental Poetry Festival, the Northern California Book Awards, and many others (last but not least, the Poets Pulling Prints series of the SFCB). Her poetry has appeared in Nostos, Five Fingers Review, Literal Latte, and elsewhere. She is the winner of the 1998 Icarus Poetry Competition and the recipient of a poetry residency at Centrum. Her poetry collection Penumbra was published by Longship Press in 2019. Her book The Short Goodbye received the Alastair Johnston Fine Press Award and was a runner-up in the Carl Hertzog Award for Excellence in Book Design. Lisa has taught at the New College in San Francisco, at a middle school in Lafayette, and in her own studio. Her work has been displayed nationally and is in collections throughout the U.S. You can visit her website at littoralpress.com.