Cylinder Core Certificate Program

The four class Cylinder Core Certificate Program allows students to move quickly through press basics while also addressing relief printing in general. Students who finish the four Core classes are qualified to rent press time as well as move on to more advanced classes and techniques. Core classes must be taken in order, 1 through 4.

Click here to learn more about the Cylinder Core Certificate Program and how to receive a discount!

Cylinder Core 3: Posterized

Develop your letterpress design skills and aesthetic while increasing your letterpress versatility.

Learn to set up the press, refine your registration skills, and run an edition. Learn more about packing, roller height, and make-ready. Students will have access to the Center's collection of wood type and cuts (images) for this project. Come ready to run an edition of your own 12 x 15" poster!

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Materials to Bring:
All tools and materials will be provided. Students can bring ideas for a poster-worthy short phrase, probably just a few words to set in large type.

Please note: Class projects are for learning particular skills and supporting class dynamics. Project ideas should be flexible, open to what class time and communal studio use will permit.

About the Instructor:
Brian Ferrett (he/him) has a printing degree from MATC and worked in offset web and screen printing. In 2008 he joined M&H Type as a typecasting apprentice under Lewis Mitchell. These days he manages M&H's daily operations, maintains the historic casting machines and presses, casts type, and prints for the various Arion Press publications. Brian is a member of the Northern California chapter of the American Printing History Association, the American Typecaster Fellowship, and volunteers with San Francisco Public Library's annual Valentine’s Day broadside event. In his spare time he plays around with his Vandercook 219AB, C&P New Style 10x15, and his two Kelseys.

Learn bookbinding basics while exploring hand-embossed techniques.

We’ll use beautiful momigami papers, design and cut out our own focal elements for the covers, then sew an exposed stitch on the spine—both aesthetic and functional.

Great keepsake for notes and sketches!

Prerequisite:
None

Materials to Bring:
All tools and materials are provided.

About the Instructor:
Elaine G. Chu (she/her) has taught students of all ages, in person and online. Her work has been featured in “Greencraft” and “Somerset Studio” magazines as well as “1000 Artists’ Books.” She co-authored “Wood Paper Scissors,” a how-to crafts book. Elaine received a B.A. in music at Yale University and a B.F.A. in graphic design at University of the Arts. View more at EGChuHandcrafted.etsy.com and on Instagram @egchu1.

In this studio class we will be doing a variety of exercises to better understand the subtractive artform of papercut, as well as working with a more in-depth project together.

We will learn about the history of papercut artists and about traditions such as silhouette portraits, rubylith, papel picado, Chinese paper cutting (sometimes referred to as "window flowers"), graffiti stenciling and Jewish papercut. We will also look at contemporary artists using papercut in personal and political ways such as Kara Walker, Carmen Lomas Garza, Irène Pijoan, Nikki McClure & Rosa Leff.

This workshop will provide a space for artists of all skill sets to work with feedback and community. Remember, this is a class where we will be using sharp knives so it’s good to be mindful and present. 

Prerequisite:
None

Materials to bring:
- Copies of photos and any scraps of paper you might be interested in cutting up. 
- Notebook

About the Instructor:
Kate Laster (she/her) is an artist, educator & critical historian. Born in Anchorage (Dena'ina land) and raised all over Alaska from the arctic to the archipelago; a sense of place is key to her art practice as a diasporic jew. She received a Bachelor of Arts at Evergreen State College in 2015 and in 2019 she received a MA+MFA in History & Theory of Contemporary Art and Studio Art with an emphasis in Printmaking at the San Francisco Art Institute. She has worked with Woosh Kinaadeiyí, the SF Poster Syndicate and the Coalition on Homelessness. She recently was a full time studio assistant at Hospitality House’s Community Arts Program. Laster has been an artist-in-residence at the Vermont Studio Center, In Cahoots, Open Windows Cooperative, Cisco Home of the Brave, Kala Art Institute and at Pillow Fort Art Center.

Bookbinding Core Certificate Program

The San Francisco Center for the Book celebrates the craft and art of bookbinding. Our Bookbinding Core Certificate Program introduces students to four different binding models, leading them through the history and evolution of bookmaking.  It provides students a comprehensive foundation to delve into the practice of binding and qualifies them to rent studio time in our bindery. Core classes must be taken in order, 1 through 4.

Click here to learn more about the Bookbinding Core Certificate Program and how to receive a discount!

Bookbinding Core 4: Classic Rounded Back Cloth Binding

The final class in our Core Bookbinding series (taught in two sessions) uses skills learned in each previous class to create a beautiful and classic rounded back cloth binding. After sewing, the book will be rounded and backed before the boards are attached and covered. This binding style points to many historical structures that came before it, making it an ideal structure for anyone interested in learning to bind books with leather, or learning to repair books.  More terms, more tools, more techniques: such are the rewards of the skilled bookbinder!

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite:Bookbinding Core 1, 2 and 3

Materials to Bring:None, all tools and materials are provided.

About the Instructor:Erika Lindensmith (she/her) has been a book conservator for almost 30 years. She trained in library and archives conservation at the University of Texas and worked at institutions in Wales, Scotland and New York before settling in California. Her interests are historical book structures and repair. She is excited to share her love of making books.

Cylinder Core Certificate Program

The four class Cylinder Core Certificate Program allows students to move quickly through press basics while also addressing relief printing in general. Students who finish the four Core classes are qualified to rent press time as well as move on to more advanced classes and techniques. Core classes must be taken in order, 1 through 4.

Click here to learn more about the Cylinder Core Certificate Program and how to receive a discount!

Cylinder Core 4: Digital into Analog

Digital designs can be turned into photopolymer plates with a raised printing surface, allowing for artistic expression via letterpress that goes beyond lead and wood. You'll choose designs from our pre-made collection of polymer plates and create a coordinated stationery suite of cards, letter sheets, and envelopes using both plates and type from our collection.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite:
Cylinder Core 1-3

Materials to Bring:
All tools and materials will be provided. Students will be designing on the fly from our collection of polymer plates, but can think ahead about whether they want traditional stationery with name/address, or something more whimsical.

Please note: Class projects are for learning particular skills and supporting class dynamics. Project ideas should be flexible, open to what class time and communal studio use will permit.

About the Instructor:
Paula Gloistein (she/her) has an MA in Humanities from Dominican College which really has very little to do with her work as a photographer, designer, and letterpress printer. After more than ten years in the wedding biz, she opened a small shop, big day design lounge, that showcases handmade wedding accessories, custom invitations, and workshops for crafty couples.

Learn how to print on the Risograph, a machine that combines the ease of a photocopier with the stencil concept of silkscreen. A Risograph creates a stencil for each layer, printing a single color at a time. Inks are semi-opaque, so when layered two colors can create a third overlay.

Students will explore the process of digital Risograph printing through hands-on practice. They'll learn the basics of preparing digital files and using the equipment. Color separations & resizing of images will be discussed using Photoshop. By the end of the session, they'll have a small stack of Risograph prints to take home.

This workshop focuses on the digital approach to printing with a Risograph. The Introduction to Analog Risograph Printing workshop focuses on printing from paper substrates laid on the glass (like a photocopier). Either class will suffice as the prerequisite for the Risograph Certification workshop, though students are welcome to take both. Successful completion of the certification allows students to rent time on SFCB's Risograph.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply. 

Prerequisite:
None

Tools/Materials to bring:

• REQUIRED: Laptop computer, ideally Mac (not an iPad), with Spectrolite software downloaded; Photoshop is not required but will be discussed. If you don't have a laptop, please sign up for the Analog workshop instead.
• A digital file you’d like to print, it does not have to be color separated. Print size will be 8.5 X 11" or 11 x 17". 

About the Instructor:
Yasmeen Abedifard is an Iranian-American artist born in the San Francisco Bay Area and is currently based in Oakland. She holds an MFA from Cornell University. Her work is centered around storytelling mediums, including comics, illustrations, and animation.

She is currently teaching in the Comics program at The California College of the Arts (CCA), the UC Berkeley Art Studio, CCA Extension, and Dominican University. Her work has been featured in various spaces, such as the SF Art Book Fair, Rubenstein Arts Center, Shapeshifters Cinema, Jack Hanley Gallery, and San Francisco Center for the Book, and has received various accolades, including the Ignatz Award for Outstanding Minicomic for Death Bloom and the Mocca Award of Excellence for When to Pick a Pomegranate. She has taught comic workshops at BAMPFA, Mendocino Art Center, Secret Room, Kala Art Institute, Sequential Artists Workshop, and Black Mountain Institute. She has created several published comics, such as When to Pick a Pomegranate (pub. Silver Sprocket), Death Bloom (pub. Lucky Pocket), and Burnt (pub. Wiggle Bird Mailing Club).

She is also part of a comics collective called D.R.Y. with her peers, Daniel Zhou and Raul Higuera, aimed at fostering community and highlighting the Bay Area comics scene.

There are many considerations for the preparation of paper and press set-up in order to successfully print in a variety of situations where partial or full bleeds are required. This class will focus on patterns, images, and texts which bleed off some or all the edges of the page, and planning for post-trimming, along with choosing inks for overprinting.

Additionally, we will discuss printing jobs which will be sent to another printer or service bureau for foil stamping, die cutting, or photographic insertion.

The class will use both Vandercook and platen presses; students who are only experienced on the Vandercook presses are welcome.

Ample time will be given to questions and show and tell from both the students and the instructors.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite(s):
Students must have completed the Cylinder Core certificate program, or have equivalent printing experience. Please email us with your qualifications if you are new to SFCB.

Materials to bring:
All tools and materials will be provided. 

About the Instructors:
Alan Hillesheim (he/him) and Lisa Rappoport (she/her) will team-teach this new series of workshops for intermediate printers.

Bookbinding Core Certificate Program

The San Francisco Center for the Book celebrates the craft and art of bookbinding. Our Bookbinding Core Certificate Program introduces students to four different binding models, leading them through the history and evolution of bookmaking. It provides students a comprehensive foundation to delve into the practice of binding and qualifies them to rent studio time in our bindery. Core classes must be taken in order, 1 through 4.

The four structures are:

Bookbinding Core 1: Coptic Binding
Students will craft one of the earliest structures in binding. In addition to coming away with a finished book made by hand, students will also make their own decorative pastepapers to be used on their book. Basic practices and equipment will be discussed as students familiarize themselves with both skills and safety measures needed for working in a bindery.

Bookbinding Core 2: Flat-Back Case Binding
Students will create what most of us refer to as a hardbound book. In bookbinding terms, it is known as a case binding; where a sewn textblock is glued into a separate structure known as a case. 

Bookbinding Core 3: Limp Paper Binding
Students will bind a book using limp vellum bindings as a model but employing thick paper as the folded and laced wrapper. They will learn to use a sewing frame and the skill of sewing headbands.

Bookbinding Core 4 :: Classic Rounded Back Cloth Binding (two sessions)
This final class uses skills learned in each previous class to create a beautiful and classic rounded back cloth binding. After sewing, the book will be rounded and backed before the boards are attached and covered.

The Weeklong Intensive rate is discounted $100 off the individual workshop fees.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. The scholarship for this session has been awarded; more sessions and scholarship opportunities will be posted in July.

Prerequisite:
None

Materials to Bring:
All tools and materials are provided.

About the Instructor:
Beth Redmond (she/her) was first introduced to making books in the photography program at San Jose State. She loves binding books for their perfect marriage of functionality and creativity.  After learning the basics of a well-made book at SFCB she went on to study fine binding at the American Academy of Bookbinding in Telluride, CO. She works primarily with leather to create bindings for public and private collections. Her work can be seen at https://bredmond.weebly.com.