It’s fun, it’s elegant, it’s endlessly adaptable.

Created by German bookbinder and Bauhaus contemporary Otto Dorfner, this structure has been popularized and adapted by renowned binders such as France’s Jean de Gonet and Belgium’s Edgard Claes.

The Dorfner binding is a three-part structure characterized by an open joint. The boards are attached exclusively via the sewing supports. This leaves a deliberate gap at the joint and exposes a small area on both sides of decorative sewing supports. The open joint encourages the boards to be made from unusual materials.

The text block is rounded and backed so the boards fit into the shoulders. It has a leather spine with headcaps that is constructed off the book.

Students will work with leather and other materials to create this lovely versatile structure.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite: Experience binding books as well as working with and paring leather; Practical Leather Skills workshop or other leather binding workshops.

Materials to bring: All tools and materials will be provided. Students are encouraged to bring any of their own favorite bookbinding tools including paring knives.

About the Instructor: Beth Redmond (she/her) was first introduced to making books in the photography program at San Jose State. She loves binding books for their perfect marriage of functionality and creativity.  After learning the basics of a well-made book at SFCB she went on to study fine binding at the American Academy of Bookbinding in Telluride CO. She works primarily with leather to create bindings for public and private collections. Her work can be seen at bredmond.weebly.com.

Revive your manual pasta maker by learning how to use it to create small drypoint prints. This technique uses the pressure that normally rolls out the pasta dough to print artwork.

Students will learn how to use different materials to create a plate including milk cartons, Tetra Paks, and Akua plate material. They'll learn how to ink up the plate, add packing to the pasta maker for the perfect impression, and pull prints to make a small edition.

The small-format prints created in class will be up to 4” by 6”. Prints will be made using a drypoint needle and a cutting knife and will be printed on Rives BFK paper with different kind of inks. The materials fee includes a drypoint needle, chipboard & felts as well as printing paper that students will be able to take home to continue making prints on their own pasta machines.

*The pasta machine does not get any ink on it, so using it for pasta AND printing is perfectly fine. Oil based etching ink will be used during class; the instructor will demonstrate how easy it is to clean up without any heavy cleaning solution.

Prerequisite: None

Materials to bring:

- Hand-crank pasta maker if you have one - only the basic maker is needed, we do not need the cutting or ravioli parts!

- Empty milk cartons and/or Tetra Paks for printing (Tetra Pak is a type of packaging used for store-bought soups, broth, nut milks, etc. Google it for examples.)

- Ideas for small prints - come with sketches

About the Instructor: Bettina Pauly (she/her) lives in San Francisco and works as both a book artist and a letterpress printer with Kim Vanderheiden at Painted Tongue Studios, Oakland, California. She loves books and boxes both as physical objects and as containers of meaning. She is interested in a variety of folded, sewn and woven structures in which she can incorporate her printing.

Sitting closed, it looks like a small square column, but it unrolls toreveal four identical square boxes, perfect for small items or hidden notes.

In this one day workshop, we'll assemble four identical square boxes, cover them and a lid for the topmost box, assemble the surround, and finally attach the boxes to the enclosure.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite: None, though some experience working with glue and paper will be helpful.

Materials to bring: All tools and materials will be provided. Students are also welcome to bring any of their own favorite bookbinding tools.

About the Instructor: Brian Lieske (he/him) wandered into SFCB many years ago and continues to haunt the place. He completed both the bookbinding and letterpress cores as well as several of the summer historic structure classes. He enjoys making fully hand-sewn books and still fights to not over-tighten his kettle stitches. He’s lived in San Francisco for more than 20 years having arrived shortly after completing an MFA at the University of Texas at Austin.

Learn how to create a unique artist’s book using textiles, stitching, inks and collage.

We will start by adhering a patchwork of fabrics and paper ephemera to freezer paper. When dry the resulting strip of material is peeled off the freezer paper and folded into an accordion. This can then be embellished with hand stitching, stamping, and ink painting.

Simple sewing and embroidery techniques will be demonstrated. The final fold out book will be attached to a textile cover that can also be decorated with these mixed media techniques.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite: None

Materials to bring: All tools and materials are provided. You may bring fabric scraps and other ephemera if you wish.

About the Instructor: Stephanie Jucker (she/her) is an exhibiting artist who uses mixed media and printing techniques in her paintings, books, and art installations. Originally from London where she earned her BFA, Stephanie has an MFA from Syracuse in painting, printmaking, and ceramics. With 25 years of teaching experience, she currently runs art classes at College of Marin, Kala, and Art Works Downtown in San Rafael.

Good printing comes by knowing what a press can do. In this workshop you will examine every aspect of the press with an eye toward maintaining all of its parts as well as adjusting those parts for optimal printing.

Not only will you learn how to maintain the press and trouble shoot problems, you will also learn how to fix the press. Knowledge of press maintenance will not only keep the press in good working order, it will make you a better printer.  

Students will learn how to evaluate the condition of any hand-fed cylinder proof press quickly and concisely; they will learn how to adjust rollers and impression, control inking and fix simple problems. They will learn how to maintain the press through lubrication and adjustment.

This is a perfect companion course for students enrolled in SFCB's Cylinder Core Certificate program; appropriate for students who have completed any of the Cylinder Core workshops.

Prerequisite: None

Materials to bring: All tools and materials will be provided.

About the Instructor: Alan Hillesheim (he/him) has been wrenching around printing presses for 35 years. Printing presses need to be moved, oiled, inked, cleaned, and maintained, in short they need attention like a six year old. Maintenance is a dirty business, but a necessary one for beautifully printed anything. Alan has a passion for the mechanics of the print studio and enjoys encouraging others to roll up their sleeves and grab a wrench. His 35 years in the letterpress business and “all-ten-fingers” count speak for themselves. Join him and wear old clothes.

Oh, and once the press is in fine order, Alan has a few secrets to divulge about perfect inking and stellar printing.

Bookbinding Core Certificate Program

The San Francisco Center for the Book celebrates the craft and art of bookbinding. Our Bookbinding Core Certificate Program introduces students to four different binding models, leading them through the history and evolution of bookmaking.  It provides students a comprehensive foundation to delve into the practice of binding and qualifies them to rent studio time in our bindery. Core classes must be taken in order, 1 through 4.

Click here to learn more about the Bookbinding Core Certificate Program and how to receive a discount!

Bookbinding Core 3: Limp Paper Binding

In centuries past, books were sometimes sewn onto cords and then laced into soft covers before being bound for a specific collection or library. Often covered with calfskin, these limp vellum bindings became an important structure all their own. In this class students will bind a book using these bindings as a model but employing thick paper as the folded and laced wrapper. Students will learn to use a sewing frame and the skill of sewing headbands.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite: Bookbinding Core 1 and 2

Materials to Bring: None, all tools and materials are provided.

About the Instructor: Madison Halaby Gordon (she/they) is a bookbinder and conservator-in-training living in Oakland, CA, currently working at Zukor Art Conservation and the Walt Disney Family Museum. She is fascinated by paper, and loves making and repairing practical, fun, accessible, and well-made structures for the use and enjoyment of everyday people. Madison is also trained in letterpress printing and has worked previously with the Key Printing & Binding (Oakland, CA) and Small Editions (Brooklyn, NY).

Spend the day at SFCB making miniature book ornaments!

In this class we will sew single signatures that will then be cased into decorative covers. Variations on covering will include full paper, full cloth, and quarter cloth bindings. Gold foil labels of the current year, 2026, will also be available to place on the front cover.

These miniature books make great gifts and decorations and can even be used to note special memories from the past year.

Prerequisite: None

Materials to bring: All tools and materials will be provided. Students are also welcome to bring any of their own favorite bookbinding tools.

About the Instructor: Clair Emma Smith (she/her) is a bookbinder specializing in repair located in Oakland, California. She found her love of bookbinding during an art conservation internship at a historical society in Indiana, and she has been setting up her dream home studio ever since. Clair Emma relocated to the Bay Area after graduating from North Bennet Street School's bookbinding program in 2019 and works in private practice for both herself and other conservators as Bouguereau Bindery.  

Small-format tabletop presses are limited in what they can print, but offer a ton of possibilities for printers with bite-size projects without taking up much space. Here's your chance to spend a few hours learning how these diminutive little guys work and to print your own vintage-inspired postcards.

The instructor will supply postcard blanks pre-printed with a charming postcard back. Students will delve into SFCB's drawers of type and cuts to design their own simple image to print on the front. Students will come away from class with an introductory understanding of letterpress and relief printing, small format printing and its limits, and a small stack of their own postcards (plus others, if classmates wish to share)!

An excellent class for those curious about letterpress in general, and tabletop presses in particular. 

Prerequisite: None.

Materials to bring: None. All tools and materials will be provided.

About the Instructor: Brian Ferrett (he/him) has a printing degree from MATC and worked in offset web and screen printing. In 2008 he joined M&H Type as a typecasting apprentice under Lewis Mitchell. These days he co-manages M&H's daily operations, maintains the historic casting machines and presses, casts type and prints for the various Arion Press publications. Brian is a member of the Northern California chapter of the American Printing History Association, the American Typecaster Fellowship, and volunteers with San Francisco Public Library's annual Valentine’s Day broadside event. In his spare time he plays around with his Vandercook 219AB, C&P New Style 10x15, and his two Kelseys.