Bookbinding Core Certificate Program

The San Francisco Center for the Book celebrates the craft and art of bookbinding. Our Bookbinding Core Certificate Program introduces students to four different binding models, leading them through the history and evolution of bookmaking. It provides students a comprehensive foundation to delve into the practice of binding and qualifies them to rent studio time in our bindery. Core classes must be taken in order, 1 through 4.

Click here to learn more about the Bookbinding Core Certificate Program and how to receive a discount!

Bookbinding Core 1: Coptic Binding

This class introduces students to the craft with the Coptic stitch, one of the earliest structures in binding. Students will spend the morning making their own decorative pastepapers, then use them in the afternoon when binding their book.

In addition to coming away with a finished book made by hand, students will also be introduced to the tools and terms of bookbinding. Basic practices and equipment will be discussed as students familiarize themselves with both skills and safety measures needed for working in a bindery.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite:
None. Beginners are welcome. 

Materials to bring:
None. All tools and materials will be provided.

About the Instructor:
Jane Knoll (they/them) was the San Francisco Center for the Book's 2025 Type Devil. After an undergraduate in writing and printmaking from Bennington College and a diploma in bookbinding from North Bennet Street School, Jane was awarded two fellowships at the Boston Athenæum's conservation lab and worked as Assistant Book Conservator at the Northeast Document Conservation Center. Currently preparing for a master's in book conservation, Jane studies the archaeology of the book, with special interests in seventeenth- and eighteenth-century structures, folk repairs, and personalized bindings, and has two publications on the American scaleboard binding.

Building on the skills learned in Introduction to Western Paper Marbling, this workshop will take students through the techniques needed to marble on fabric.

Students will begin the day by advancing upon their marbling skills with the introduction of marbling on fabric. With the instructor's guidance, they will work on new patterns with an eye for nuance. The main focus will be on marbling fabric to create book cloth, and techniques for other textile uses will also be discussed.

At the end of the day, the instructor will demonstrate how to prepare dry pieces of marbled cloth for use in bookbinding. Students will leave with their own stack of 15 marbled fabric pieces.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite:
None. This workshop is open to beginners, though it's also a good next step after an introductory marbling class such as Introduction to Western Paper Marbling.

Materials to bring:
All tools and materials will be provided. Please wear comfortable shoes and clothing that you don't mind getting wet and/or stained.

About the Instructor:
Pietro Accardi (he/him) owned a Bookbindery in Turin (Italy) for 12 years. He worked for Turin’s main Library, Municipal Archives, and University Libraries restoring and binding documents and books. He also runs his own paper marbling and decorative box making business. Now he lives near Lake Tahoe with wife, cats and a studio. He is currently working for the library of special collections of University of Reno doing restoration work and teaches workshops.

Cylinder Core Certificate Program

The four class Cylinder Core Certificate Program allows students to move quickly through the press basics while also addressing relief printing in general. Students who finish the four core classes are qualified to rent press time as well as move on to more advanced classes and techniques.

Cylinder Core 1: Experience Letterpress! 
Learn about the process and practice of setting type, mixing inks and pulling impressions. Students will design and print a small edition of a folded greeting card while learning the basics of press operation.

Cylinder Core 2: Power of the Broadside
Build your letterpress skills: learn advanced justification, typesetting, and composition. Put it all together to print an 8 x 10" broadside of your own design.

Cylinder Core 3: Posterized
Get more acquainted with the press: learn about packing, roller height, and make-ready. Once you've got everything set up you'll run an edition of your own 12 x 15" poster.

Cylinder Core 4: Digital into Analog
All those fancy letterpress wedding invitations are printed from digital designs turned into polymer plates. You'll learn how to print with premade plates and walk away with a stationary suite: a coordinated set of cards, letter sheets, and envelopes.

The Weeklong Intensive rate is discounted $100 off the individual workshop fees.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite:
None

Materials to Bring:
All tools and materials will be provided. Students can come to the first class with a few greeting card ideas/brief phrases.

Please note: Class projects are for learning particular skills and supporting class dynamics. Project ideas should be flexible, open to what class time and communal studio use will permit.

About the Instructor:
Thea Sizemore (she/her) has been a letterpress printer, artist and instructor for over 20 years. She holds BFA in printmaking with emphasis on bookarts from the California College of the Arts with additional studies at Cleveland Institute of Art.

As founder of Kavamore Press, a custom letterpress and design studio in South Berkeley, Thea works with private clients and various artists to create ephemera for projects including some for the Carpenter Center for the Arts at Harvard, The Guggenheim and the SFMOMA. In recent years, Thea's personal work has focused on projects that use the power of print to connect and engage community including a mail art project called “Social Media Snail Mail”, an ongoing series of free letterpress posters and public printing protest events. To view more of her work, visit kavamorepress.com.

Learn basic bookbinding structures and stitches that every beginning book artist should know!

Students will learn five staple structures of the bookbinding world: pamphlet stitch, two versions of one-sheet wonders, accordion folding, and a Japanese stab binding. If you’ve been curious about book arts basics, this is a great starter class; in three hours, you’ll gain the know-how to start making books of your own.

Students also learn about local resources, bookbinding tools, and SFCB’s Bookbinding Core Program, as well as protocol for studio rental. 

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite(s):
None

Materials to bring:
All tools and materials will be provided. Students are also welcome to bring any of their own favorite bookbinding tools.

About the Instructor:
Madison Halaby Gordon (she/they) is a bookbinder and conservator-in-training living in Oakland, CA, currently working at Zukor Art Conservation and the Walt Disney Family Museum. She is fascinated by paper, and loves making and repairing practical, fun, accessible, and well-made structures for the use and enjoyment of everyday people. Madison is also trained in letterpress printing and has worked previously with the Key Printing & Binding (Oakland, CA) and Small Editions (Brooklyn, NY).

Bookbinding Core Certificate Program

The San Francisco Center for the Book celebrates the craft and art of bookbinding. Our Bookbinding Core Certificate Program introduces students to four different binding models, leading them through the history and evolution of bookmaking.  It provides students a comprehensive foundation to delve into the practice of binding and qualifies them to rent studio time in our bindery. Core classes must be taken in order, 1 through 4.

Click here to learn more about the Bookbinding Core Certificate Program and how to receive a discount!

Bookbinding Core 1 :: Coptic Binding

To paraphrase Lewis Carroll, we begin at the beginning. This, the first of our Core Bookbinding series, introduces students to the craft with the Coptic stitch, one of the earliest structures in binding. Students will spend the morning making their own decorative pastepapers, then use them in the afternoon when binding their book.

In addition to coming away with a finished book made by hand, students will also be introduced to the tools and terms of bookbinding. Basic practices and equipment will be discussed as students familiarize themselves with both skills and safety measures needed for working in a bindery.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite:
None. Beginners are welcome. 

Materials to bring:
None. All tools and materials will be provided.

About the Instructor:
A life-long love of working with her hands led Megan (she/her) to study bookbinding at the North Bennet Street School in Boston. Upon graduation in 2015, she went to work in Santa Barbara as the Head Bookbinder for Heirloom Bindery, followed by an apprenticeship at the Arion Press in San Francisco. Now the Lead Bookbinder, she is responsible for running day-to-day production in the Arion bindery. An active member of the Guild of Bookworkers and board member of the Hand Bookbinders of California, she also creates her own work as Long Arrow Bindery. She still loves making books every day.

Looking to expand your letterpress skills? In this class, we will explore improvisatory ways of creating multicolor prints on the Vandercook without locking up typeforms on the press bed.

Freestyle letterpress printing is an improvisational approach where type and ornamentation are inked by hand in different colors and creatively placed on the press bed (without using quoins or furniture to lock them down). This gives you the opportunity to quickly and easily create unique monoprints as you play with type and combinations of color.

To begin the conversation with our tools and materials, we will:

• discuss historical precedents for creative letterpress printing by H.N. Werkman and Jack Stauffacher
• learn how to safely print metal and wood blocks without locking them up with quoins and furniture
• discover strategies for inking individual blocks, layering colors, and ghost printing
• explore approaches to improvisation using text prompts, game structures, and group interactivity (e.g., exquisite corpse, call-and-response, etc.)

At the end of the workshop, you will go home with a collection of monoprints that reflect your own aesthetic explorations using the Center’s vast collection of historic letters, numbers and ornaments.

Prerequisite:
Introduction to Letterpress or other Vandercook press experience

Materials to bring:
None. All tools and materials will be provided.

About the Instructor:
As a sound and visual artist, Gino Robair (he/him) explores how nonrepresentational imagery influences interpretive performances in music, dance, and theatre. He is currently a PhD candidate at the University of California, Davis, developing performative approaches to papermaking and letterpress printing. In November 2023, a collection of his most recent prints was exhibited at the San Francisco Center For New Music.

Reduction printing is a multi-layered printing process that uses a single block to create a multi-colored image. The process involves carving and printing, removing portions of the block after each layer is printed, usually working from lightest to darkest colors.

Students will carve their own small, two color design and learn the basic principles of reduction carving: what to carve and when. They will finish the class with a small edition of their two color design and usable stamp (single color design) to take home.

Prerequisite:
None

Materials to Bring:
Students should bring a few different ideas or sketches for a simple image measuring 2 3/4” x 3 3/4” that could be separated and printed in two colors. The instructor will help you decide what will work best in class.

About the Instructor:
Nathalie Roland (she/her) is a San Francisco-based printmaker and painter who has been creating woodcut prints since 1991. Working from her Sunset district garage studio known as Sunset Paperworks, she specializes in woodcut reduction prints using pine or mulberry wood blocks that transform through multiple stages of carving and printing. She has studied relief printing under Zarina Hashmi, screen printing at Ape do good, worked as a bookbinder at the Arion Press and was formerly the in house Riso printer for Yellow Owl workshop. 

Pochoir is a method of stenciling: applying pigments with a flat round brush through cut-out areas of a thin material like mylar, acetate, Tyvek or cardstock. 

Students will learn the basics of stencil creation and will work on images made up of simple shapes to practice their technique. Throughout the day, different materials will be employed to make stencils; different brushes and their effects will be examined; and various ‘dry pigments’ and papers will be investigated as students expand their pochoir skills. The instructor will also lead a discussion on how students can incorporate pochoir into their own artwork, including books, prints, cards, and more.

Students will also make a simple folder at the end of class for the samples that were made.

Prerequisite:
None 

Materials to Bring:
All tools and materials will be provided.

About the Instructor:
Bettina lives in San Francisco and works as both a book artist and a letterpress printer with Kim Vanderheiden at Painted Tongue Studios, Oakland, California. She loves books and boxes both as physical objects and as containers of meaning. She is interested in a variety of folded, sewn and woven structures in which she can incorporate her printing.