Cylinder Core Certificate Program

The four class Cylinder Core Certificate Program allows students to move quickly through press basics while also addressing relief printing in general. Students who finish the four Core classes are qualified to rent press time as well as move on to more advanced classes and techniques. Core classes must be taken in order, 1 through 4.

Click here to learn more about the Cylinder Core Certificate Program and how to receive a discount!

Cylinder Core 2: Power of the Broadside

A broadside is a single-sided printed sheet historically used for advertisements, proclamations, or other public announcements, though in modern times they're most often used for poetry.

In Core 2 you'll build your letterpress skills: learn advanced justification, typesetting, and composition, then put it all together to print a single-color 8 x 10" broadside of your own design.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite:
Cylinder Core 1

Materials to Bring:
All tools and materials are provided. 

Students can bring some ideas for what to set as multi-line text, with the understanding that the instructor will have final say in what will be appropriate for this project. Poems, song lyrics, and pithy paragraphs are good candidates.

Please note: Class projects are for learning particular skills and supporting class dynamics. Project ideas should be flexible, open to what class time and communal studio use will permit.

About the Instructor:
Lisa Rappoport (she/her) publishes poetry broadsides and artists' books under the imprint Littoral Press. Since 1998 she has produced a series of broadsides by the poets who teach at the Community of Writers; she has also printed poetry broadsides for Lawrence Ferlinghetti and City Lights Books, the Watershed Environmental Poetry Festival, the Northern California Book Awards, and many others (last but not least, the Poets Pulling Prints series of the SFCB). Her poetry has appeared in Nostos, Five Fingers Review, Literal Latte, and elsewhere. She is the winner of the 1998 Icarus Poetry Competition and the recipient of a poetry residency at Centrum. Her poetry collection Penumbra was published by Longship Press in 2019. Her book The Short Goodbye received the Alastair Johnston Fine Press Award and was a runner-up in the Carl Hertzog Award for Excellence in Book Design. Lisa has taught at the New College in San Francisco, at a middle school in Lafayette, and in her own studio. Her work has been displayed nationally and is in collections throughout the U.S. You can visit her website at littoralpress.com.

In this class students will find solutions for common problems that are often found in standard hardcover books, including:

- how to mend tears within the text block
- how to patch and sharpen the worn corners on cover boards
- how to tip in a loose page
- how to bridge a gap between signatures without removing the covers
- a simple technique to reback a text block 
- how to repair worn and torn head caps

This class is an excellent chance to learn repair techniques that often plague our most frequently handled books. Students are welcome to bring their own books but there will also be a sample book available to each student, just to be sure the full range of repair needs are available.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite:
None

Materials to bring:
All tools and materials will be provided. Students are also welcome to bring any of their own favorite bookbinding tools.

About the Instructor:
Michelle Sarjeant (she/her) is a bookbinder, author, and museum professional. She earned her Masters of Arts in Museum Studies Archival Care from John F. Kennedy University in Berkeley, California, and her undergraduate degree from Pacific University in Forest Grove, Oregon. She apprenticed in bookbinding with Sandra Good and now does repair and restoration work in her binding studio in Marin. 

She co-authored Modern San Rafael 1940-2000 with Jocelyn Moss, Librarian for the Marin History Museum, A History of the San Francisco State Belt with railroad historian Bill Kaufman and wrote San Rafael Through Time: As Illustrated & Described in 1884.

She is currently writing a book on the California Missions while rebinding books and is the Membership Chair for the Hand Bookbinders of California’s board.

Learn to make knotted and beaded bindings with flair!

This workshop will cover five different exposed stitches to spice up a simple blank pamphlet, with a variety of embellishments for added fun.

Prerequisite:
None

Tools/Materials to bring:
None

About the Instructor:
Dorothy Yuki (she/her) studied to be something other than an artist. She began as a fashion designer immediately after college but soon she became a partner of a manufacturing company, In Good Company, from 1965-1976. She designed and manufactured kitchen soft goods and linens. Later, as a production and design consultant, she worked with many identity and music production companies, as well as new startups.

Now in her 80s and living in San Francisco, she is engaged in many volunteer activities, Ruth’s Table, Artseed, SCRAP-SF, San Francisco Center for the Book, and FabMo. She also mentored at Bay High School in their Senior Program. She was past President of Friends of Calligraphy and has been a Master Educator for the Macy’s Fashion Incubator San Francisco.

She still has the time to do ‘art’ and has worked on projects for MMOCA, Flax Art and Design, Kalligraphia, Ruth’s Table, FabMo and SCRAP-SF. She is a recipient of Honorable Mentions for her artwork at the Marin Museum of Contemporary Art Altered Book Show 2014 and 2015. To find out more about Dorothy's work, visit her blog www.dotsrainbow.com

Let’s embellish old photos with colorful thread! Learn the basics of sewing on paper to transform photographs, postcards, or design your own image from scratch.

Using a PDF provided by the instructor, we will start with the basics of embroidering on paper while thinking about drawing, linework and simple fills. We will use these stitches to build patterns on the page. Stitches will be demonstrated with time allowed for practice.

For the last hour, we will bring our new skills to vintage photos and postcards, while considering planning a design and how to mail your creation.

All SFCB online workshops are recorded. Video links will be available for eight weeks after class.

Prerequisite:
None

Materials/Tools to bring:
- 1-2 embroidery needles
- 3 colors of embroidery thread
- needle tool or awl
- at least 1-2 postcards or photos (on photo paper, not copies)
- scissors
- ruler
- pencil
- cardstock for printing out PDF (and access to a printer!)
- Optional: tracing paper

About the Instructor:
Hope Amico (they/them) is a visual artist, writer and educator who believes we could all use a creative practice. Through classes, collage meetups and the Keep Writing postcard project, they are excited to share ways we can work together and support each other creatively. Co-founder of the New Orleans Collage Collective and previously known as gutwrench press, they relocated to Portland, OR in 2020. They teach online and in-person through the MCBA, SFCB and privately through their own studio.

The iron hand press is a workhorse from the nineteenth century that welds modern printing to its earliest incarnations over five hundred years ago.

This class offers an overview of the practices and principals of doing edition work on this venerable printing press. From the basics of imposing on the stone to locking the inner chase and packing the outer tympan, students will get a full tour of the handpress and its workflow and walk away with a keepsake inked and printed on the Center’s own iron hand presses. 

This workshop is ideal for novices and more experienced printers alike. The concepts taught in this class are valuable to any printer's understanding of the letterpress printing process, and are applicable across all different styles of presses.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite:
None

Materials to Bring:
None

About the Instructor:
Chad Johnson (he/him) is an artist, printer, bookbinder, and teacher who has been living in the Bay Area for over a decade. After earning an MFA in Book Arts/Printmaking from the University of the Arts in Philadelphia, he has worked in conservation labs, letterpress shops, and libraries. He has experience conserving historic books, analyzing collections of rare books, working with artists and authors, printing professionally on many different letterpress machines, and teaching and sharing his love of books and printing.

As SFCB's Studio Director and Resident Instructor, he brings knowledge and experience fueled by passion and enthusiasm for the art and craft of making books by hand. From digital typesetting to steamroller printing to fixing presses to talking about letterpress history, Chad is always happy to help students and artists learn to express themselves through the powerful medium of the handmade book.

Learn basic bookbinding structures and stitches that every beginning book artist should know!

Students will learn five staple structures of the bookbinding world: pamphlet stitch, two versions of one-sheet wonders, accordion folding, and a Japanese stab binding. If you’ve been curious about book arts basics, this is a great starter class; in three hours, you’ll gain the know-how to start making books of your own.

Students also learn about local resources, bookbinding tools, and SFCB’s Bookbinding Core Program, as well as protocol for studio rental. 

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite:
None

Materials to bring:
All tools and materials will be provided.

About the Instructor:
Jane Knoll (they/them) was the San Francisco Center for the Book's 2025 Type Devil. After an undergraduate in writing and printmaking from Bennington College and a diploma in bookbinding from North Bennet Street School, Jane was awarded two fellowships at the Boston Athenæum's conservation lab and worked as Assistant Book Conservator at the Northeast Document Conservation Center. Currently preparing for a master's in book conservation, Jane studies the archaeology of the book, with special interests in seventeenth- and eighteenth-century structures, folk repairs, and personalized bindings, and has two publications on the American scaleboard binding.

If you have heard about letterpress but are not really sure what it is or how it works, this class will allow you to peer inside the rich history and engaging techniques of letterpress printing.

This class introduces the process, the materials, the machines, and the satisfaction of printing by hand on a Cylinder proof press. Participants will learn the basics of setting type using SFCB’s vast collection of lead type and decorative ornaments as well as inking, locking up and pulling a print.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite:
None

Materials to bring:
None

About the Instructor:
Brian Lieske (he/him) wandered into SFCB many years ago and continues to haunt the place. He completed both the bookbinding and letterpress cores as well as several of the summer historic structure classes. He enjoys making fully hand-sewn books and still fights to not over-tighten his kettle stitches. He’s lived in San Francisco for more than 20 years having arrived shortly after completing an MFA at the University of Texas at Austin.

Bookbinding Core Certificate Program

The San Francisco Center for the Book celebrates the craft and art of bookbinding. Our Bookbinding Core Certificate Program introduces students to four different binding models, leading them through the history and evolution of bookmaking.  It provides students a comprehensive foundation to delve into the practice of binding and qualifies them to rent studio time in our bindery. Core classes must be taken in order, 1 through 4.

Click here to learn more about the Bookbinding Core Certificate Program and how to receive a discount!

Bookbinding Core 3: Limp Paper Binding

In centuries past, books were sometimes sewn onto cords and then laced into soft covers before being bound for a specific collection or library. Often covered with calfskin, these limp vellum bindings became an important structure all their own. In this class students will bind a book using these bindings as a model but employing thick paper as the folded and laced wrapper. Students will learn to use a sewing frame and the skill of sewing headbands.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite:
Bookbinding Core 1 and 2

Materials to Bring:
None, all tools and materials are provided.

About the Instructor:
Jane Knoll (they/them) was the San Francisco Center for the Book's 2025 Type Devil. After an undergraduate in writing and printmaking from Bennington College and a diploma in bookbinding from North Bennet Street School, Jane was awarded two fellowships at the Boston Athenæum's conservation lab and worked as Assistant Book Conservator at the Northeast Document Conservation Center. Currently preparing for a master's in book conservation, Jane studies the archaeology of the book, with special interests in seventeenth- and eighteenth-century structures, folk repairs, and personalized bindings, and has two publications on the American scaleboard binding.