Learn not only the Turkish Map-Fold but also the lesser-known Hungarian Map-Fold!

If you are a seasoned traveler, you may remember these awesome Turkish map-folds used for City pocket maps. Who did not get one of those maps while visiting Rome? And yes, it is still the Turkish map fold even though we are in Italy. And did you know that there was a Hungarian Map-fold, too? It is not really used for maps… but nevertheless it is a great fold for your artist books or mail art.

We will play around with different sizes of paper, how to connect the folds to make infinite long map folds become a garland, and how to make a cover and have two folds facing each other. So many possibilities!

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite: None

Materials to bring: All tools and materials will be provided.

About the Instructor: Bettina Pauly (she/her) lives in San Francisco as a book artist and works as a letterpress printer with Kim Vanderheiden at Painted Tongue Studios, Oakland, California. She loves books and boxes both as physical objects and as containers of meaning. She is interested in a variety of folded, sewn and woven structures in which she can incorporate her printing.

This workshop takes place on two Sundays, one week apart.

Students with previous linocut experience will learn about multiblock carving and printing, in which each carved block is inked with a different color.

We will create designs on 5 x 7" linoleum for two blocks/two colors, then transfer the image onto the blocks and learn about registration so that each color lines up on the finished print. Students will have a week between sessions so they can complete their carving at home, then return to print on the second day.

All students will leave with an edition of their print on quality printmaking paper using a Cylinder Press. 

Students will learn registration methods for hand printing as well, and learn how to edition a print run. The workshop fee includes a carving tool for students to keep.

Prerequisite: Intro to Linoleum Carving & Printing or other single-color lino carving experience.

Materials to Bring: Bring ideas for a simple 5x7" design; ideally at least two sketches so the instructor can help choose which will work best. 

About the Instructor: Patricia Wakida (she/her) is a bibliophile, artist and writer with a background in trade publishing. Her relations to books are kept tangible and toothsome by running wasabi press, making illustrated letterpress books, broadsides, posters and cards on a Chandler and Price tabletop platen press and a small etching press. Patricia’s book arts education began with an apprenticeship in Japanese papermaking in Mino, Gifu- prefecture, Japan in 1996, followed by an apprenticeship at the Arts and Crafts Press under linoleum block artist and letterpress printer Yoshiko Yamamoto, in Berkeley, California. She has also taught linoblock carving and letterpress workshops as a teaching assistant in the book arts program at Mills College, the San Francisco Center for the Book, and ASUC Art Studio. 

Learn to make knotted and beaded bindings with flair!

This workshop will cover five different exposed stitches to spice up a simple blank pamphlet, with a variety of embellishments for added fun. This class is a straightforward introduction to the aesthetic possibilities of single-section books.

Prerequisite: None

Tools/Materials to bring: None. All tools and materials are provided.

About the Instructor: Dorothy Yuki (she/her) studied to be something other than an artist. She began as a fashion designer immediately after college but soon she became a partner of a manufacturing company, In Good Company, from 1965-1976. She designed and manufactured kitchen soft goods and linens. Later, as a production and design consultant, she worked with many identity and music production companies, as well as new startups.

Now in her 80s and living in San Francisco, she is engaged in many volunteer activities, Ruth’s Table, Artseed, SCRAP-SF, San Francisco Center for the Book, and FabMo. She also mentored at Bay High School in their Senior Program. She was past President of Friends of Calligraphy and has been a Master Educator for the Macy’s Fashion Incubator San Francisco.

She still has the time to do ‘art’ and has worked on projects for MMOCA, Flax Art and Design, Kalligraphia, Ruth’s Table, FabMo and SCRAP-SF. She is a recipient of Honorable Mentions for her artwork at the Marin Museum of Contemporary Art Altered Book Show 2014 and 2015. To find out more about Dorothy's work, visit her blog www.dotsrainbow.com

Learn basic bookbinding structures and stitches that every beginning book artist should know!

Students will learn five staple structures of the bookbinding world: pamphlet stitch, two versions of one-sheet wonders, accordion folding, and a Japanese stab binding. If you’ve been curious about book arts basics, this is a great starter class; in three hours, you’ll gain the know-how to start making books of your own.

Students also learn about local resources, bookbinding tools, and SFCB’s Bookbinding Core Program, as well as protocol for studio rental. 

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite: None

Materials to bring: All tools and materials will be provided.

About the Instructor: Mimi Zycherman (she/her) is a Book Conservator at a Bay Area Institution. She graduated from the North Bennet Street School’s Bookbinding program in 2023. She also received a BA in Art and Materials Conservation from Columbia College Chicago. In addition to a fellowship at the Boston Athenæum, she has interned in conservation labs at Dartmouth, Harvard, and New York City’s Municipal Archives. She specializes in fine design bindings that have been exhibited throughout the U.S. Mimi is also a member of the Guild of Bookworkers and the Hand Bookbinders of Californ

If you have heard about letterpress but are not really sure what it is or how it works, this class will allow you to peer inside the rich history and engaging techniques of letterpress printing.

This class introduces the process, the materials, the machines, and the satisfaction of printing by hand on a Cylinder proof press. Participants will learn the basics of setting type using SFCB’s vast collection of lead type and decorative ornaments as well as inking, locking up and pulling a print.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite: None

Materials to bring: None

About the Instructor: Brian Lieske (he/him) wandered into SFCB many years ago and continues to haunt the place. He completed both the bookbinding and letterpress cores as well as several of the summer historic structure classes. He enjoys making fully hand-sewn books and still fights to not over-tighten his kettle stitches. He’s lived in San Francisco for more than 20 years having arrived shortly after completing an MFA at the University of Texas at Austin.

If getting your type and images all locked up and into registration is problematic, SFCB Studio Director Chad Johnson has designed a workshop to get you back in the swing of things on the Vandercook.

In this four-hour workshop we will review the key elements of imposing on the press and then work through setting up multiple forms across several presses, working through 2-color registrations using both movable type as well as cuts and polymer plates.

While letterpress experience is a prerequisite, students will be printing a pre-established design to keep the focus on the practice of understanding how to build a stable, well imposed forms that can be registered and/or trimmed to. It will be a fun day of hard work building competencies and collaboration. Everyone will leave with a set of printed folding cards. 

This is the first in a series of Print Practicum workshops Chad will offer to help printers build skills and versatility for their letterpress printing practice.

Prerequisite: Cylinder Core or equivalent and/or working knowledge of printing on a Vandercook. If your letterpress experience is from outside SFCB, please contact us before registering to confirm eligibility.

Materials to bring: All tools and materials will be provided. 

About the Instructor: Chad Johnson (he/him) is an artist, printer, bookbinder, and teacher who has been living in the Bay Area for the past two decades. After earning an MFA in Book Arts/Printmaking from the University of the Arts in Philadelphia, he has worked in conservation labs, letterpress shops, and libraries. As SFCB's Studio Director | Resident Instructor, he brings knowledge and experience fueled by passion and enthusiasm for the art and craft of making books by hand. From digital typesetting to steamroller printing to fixing presses to talking about letterpress history, Chad is always happy to help students and artists learn to express themselves through the powerful medium of the handmade book.

Bookbinding Core Certificate Program

The San Francisco Center for the Book celebrates the craft and art of bookbinding. Our Bookbinding Core Certificate Program introduces students to four different binding models, leading them through the history and evolution of bookmaking.  It provides students a comprehensive foundation to delve into the practice of binding and qualifies them to rent studio time in our bindery. Core classes must be taken in order, 1 through 4.

Click here to learn more about the Bookbinding Core Certificate Program and how to receive a discount!

Bookbinding Core 4: Classic Rounded Back Cloth Binding

The final class in our Core Bookbinding series (taught in two sessions) uses skills learned in each previous class to create a beautiful and classic rounded back cloth binding. After sewing, the book will be rounded and backed before the boards are attached and covered. This binding style points to many historical structures that came before it, making it an ideal structure for anyone interested in learning to bind books with leather, or learning to repair books.  More terms, more tools, more techniques: such are the rewards of the skilled bookbinder!

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite: Bookbinding Core 1, 2 and 3

Materials to Bring: None, all tools and materials are provided.

About the Instructor: Erika Lindensmith (she/her) has been a book conservator for almost 30 years. She trained in library and archives conservation at the University of Texas and worked at institutions in Wales, Scotland and New York before settling in California. Her interests are historical book structures and repair. She is excited to share her love of making books.

Cylinder Core Certificate Program

The four class Cylinder Core Certificate Program allows students to move quickly through press basics while also addressing relief printing in general. Students who finish the four Core classes are qualified to rent press time as well as move on to more advanced classes and techniques. Core classes must be taken in order, 1 through 4.

Click here to learn more about the Cylinder Core Certificate Program and how to receive a discount!

Cylinder Core 4: Digital into Analog

Digital designs can be turned into photopolymer plates with a raised printing surface, allowing for artistic expression via letterpress that goes beyond lead and wood. You'll choose designs from our pre-made collection of polymer plates and create a coordinated stationery suite of cards, letter sheets, and envelopes using both plates and type from our collection.

SFCB's Windgate Scholarship Fund is dedicated to providing need-based financial support to individuals interested in learning bookbinding, letterpress printing, and related book arts. Click here to apply.

Prerequisite: Cylinder Core 1-3

Materials to Bring: All tools and materials will be provided. Students will be designing on the fly from our collection of polymer plates, but can think ahead about whether they want traditional stationery with name/address, or something more whimsical.

Please note: Class projects are for learning particular skills and supporting class dynamics. Project ideas should be flexible, open to what class time and communal studio use will permit.

About the Instructor: Alan Hillesheim (he/him) has been wrenching around printing presses for 35 years. Printing presses need to be moved, oiled, inked, cleaned, and maintained, in short they need attention like a six year old. Maintenance is a dirty business, but a necessary one for beautifully printed anything. Alan has a passion for the mechanics of the print studio and enjoys encouraging others to roll up their sleeves and grab a wrench. His 35 years in the letterpress business and “all-ten-fingers” count speak for themselves. Join him and wear old clothes. Oh, and once the press is in fine order, Alan has a few secrets to divulge about perfect inking and stellar printing.